Planning and Location
In the early nineteenth century, Germany's bourgeoisie had become increasingly self-aware and self-confident. This growing class began to embrace new ideas regarding the relationship between itself and art, and the concepts that art should be open to the public and that citizens should be able to have access to a comprehensive cultural education began to pervade society. King Friedrich Wilhelm III of Prussia was a strong proponent of this humboldtian ideal for education and charged Karl Friedrich Schinkel with planning a public museum for the royal art collection.
Schinkel's plans for the Königliches Museum, as it was then known, were also influenced by drafts of the crown prince, later King Friedrich Wilhelm IV, who desired a building that was heavily influenced by antiquity. The crown prince even sent Schinkel a pencil sketch of a large hall adorned with a classical portico.
Schinkel's plans incorporated the Königliches Museum into an ensemble of buildings, which surround the Berliner Lustgarten (pleasure garden). The Stadtschloss in the south was a symbol of worldly power, the Zeughaus in the west represented military might, and the Berliner Dom in the east was the embodiment of divine authority. The museum to the north of the garden, which was to provide for the education of the people, stood as a symbol for science and art—and not least for their torchbearer: the self-aware bourgeoisie.
Schinkel had developed plans for the Königliches Museum as early as 1822/23, but construction did not begin until 1825. Construction was completed in 1828 and the museum was inaugurated on 3 August 1830. Schinkel was also responsible for the renovation of the Berliner Dom in the neo-classical style (which was originally a baroque cathedral), and he exercised considerable influence on Peter Joseph Lenné's renovation of the Lustgarten, which coincided with the construction of the museum, resulting in a harmonized and integrated ensemble.
In 1841, King Friedrich Wilhelm IV announced in a royal decree, that the entire northern part of the Spree Island (known as Museum Island) "be transformed into a sanctuary for art and science." In 1845, the Königliches Museum was renamed the Altes Museum, the name it holds to this day.
Read more about this topic: Altes Museum
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