Criticism
Despite its success, Ally McBeal did receive some negative criticism from TV critics and feminists who found the title character annoying and demeaning to women (specifically professional women) because of her perceived flightiness, lack of demonstrated legal knowledge, short skirts, and extreme emotional instability. Perhaps the most notorious example of the debate sparked by the show was the June 29, 1998 cover story of Time magazine, which juxtaposed McBeal with three pioneering feminists (Susan B. Anthony, Betty Friedan, Gloria Steinem) and asked "Is Feminism Dead?" In episode 12 of the second season of the show, Ally talks to her co-worker John Cage about a dream she had, saying "You know, I had a dream that they put my face on the cover of Time magazine as 'the face of feminism'."
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Famous quotes containing the word criticism:
“People try so hard to believe in leaders now, pitifully hard. But we no sooner get a popular reformer or politician or soldier or writer or philosopher—a Roosevelt, a Tolstoy, a Wood, a Shaw, a Nietzsche, than the cross-currents of criticism wash him away. My Lord, no man can stand prominence these days. It’s the surest path to obscurity. People get sick of hearing the same name over and over.”
—F. Scott Fitzgerald (1896–1940)
“However intense my experience, I am conscious of the presence and criticism of a part of me, which, as it were, is not a part of me, but a spectator, sharing no experience, but taking note of it, and that is no more I than it is you. When the play, it may be the tragedy, of life is over, the spectator goes his way. It was a kind of fiction, a work of the imagination only, so far as he was concerned.”
—Henry David Thoreau (1817–1862)
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)