German Forms
The Old High German and Old Saxon corpus of Stabreim or alliterative verse is tiny. Fewer than 200 Old High German lines survive, in four works: the Hildebrandslied, Muspilli, the Merseburg Charms and the Wessobrunn Prayer. All four are preserved in forms that are clearly to some extent corrupt, suggesting that the scribes may themselves not have been entirely familiar with the poetic tradition. The two Old Saxon alliterative poems, the fragmentary Heliand and the even more fragmentary Genesis are both Christian poems, created as written works of Biblical content based on Latin sources, and not derived from oral tradition.
However, both German traditions show one common feature which is much less common elsewhere: a proliferation of unaccented syllables. Generally these are parts of speech which would naturally be unstressed - pronouns, prepositions, articles, modal auxiliaries - but in the Old Saxon works there are also adjectives and lexical verbs. The unaccented syllables typically occur before the first stress in the half-line, and most often in the b-verse.
The Hildbrandslied, lines 4–5:
- Garutun se iro guðhamun, gurtun sih iro suert ana,
helidos, ubar hringa, do sie to dero hiltiu ritun.
-
- They prepared their fighting outfits, girded their swords on,
the heroes, over ringmail when they to that fight rode.
- They prepared their fighting outfits, girded their swords on,
The Heliand, line 3062:
- Sâlig bist thu Sîmon, quað he, sunu Ionases; ni mahtes thu that selbo gehuggean
-
- Blessed are you Simon, he said, son of Jonah; for you did not see that yourself (Matthew 16, 17)
This leads to a less dense style, no doubt closer to everyday language, which has been interpreted both as a sign of decadent technique from ill-tutored poets and as an artistic innovation giving scope for additional poetic effects. Either way, it signifies a break with the strict Sievers typology.
In more recent times, Richard Wagner sought to evoke old German models and what he considered a more natural and less over-civilised style by writing his Ring poems in Stabreim.
Read more about this topic: Alliterative Verse
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