Decline
Sherman's career success was short-lived: after peaking in 1963, his popularity declined rather quickly. After the assassination of John F. Kennedy, impersonator Vaughn Meader vowed to never again do a Kennedy impression, and perhaps because of this ominous shadow – Meader was a very popular parody impressionist of the day – and the resulting reluctance to book such acts, the public saw less of Sherman's type of comedy. By 1965, Sherman had released two albums that did not make the Top 50 and in 1966, Warner Bros. dropped him from the label. His last album for the company, Togetherness, was released in 1967 to poor reviews and poorer sales. All of Sherman's previous releases had been recorded in front of a live studio audience – or in the case of Live, Hoping You Are the Same, recorded during a Las Vegas performance – but Togetherness was not, and the lack of an audience and their response affected the result, as did the nondescript backup singers and studio orchestra.
In 1969, Sherman wrote the script and lyrics – but not the music, which was written by Albert Hague – for The Fig Leaves Are Falling, a flop Broadway musical that lasted only four performances in 1969, despite direction by George Abbott and a cast that included Barry Nelson, Dorothy Loudon and David Cassidy. Still creative, in 1973 Sherman published the controversial The Rape of the A*P*E*, which detailed his point of view on American Puritanism and the sexual revolution.
In 1971, Sherman was the voice of Dr. Seuss's The Cat in the Hat for the television special. He also did voice work for Dr. Seuss on the Loose, his last project before his death.
Read more about this topic: Allan Sherman
Famous quotes containing the word decline:
“Or else I thought her supernatural;
As though a sterner eye looked through her eye
On this foul world in its decline and fall,
On gangling stocks grown great, great stocks run dry,
Ancestral pearls all pitched into a sty,
Heroic reverie mocked by clown and knave....”
—William Butler Yeats (1865–1939)
“We have our little theory on all human and divine things. Poetry, the workings of genius itself, which, in all times, with one or another meaning, has been called Inspiration, and held to be mysterious and inscrutable, is no longer without its scientific exposition. The building of the lofty rhyme is like any other masonry or bricklaying: we have theories of its rise, height, decline and fall—which latter, it would seem, is now near, among all people.”
—Thomas Carlyle (1795–1881)
“Our achievements speak for themselves. What we have to keep track of are our failures, discouragements, and doubts. We tend to forget the past difficulties, the many false starts, and the painful groping. We see our past achievements as the end result of a clean forward thrust, and our present difficulties as signs of decline and decay.”
—Eric Hoffer (1902–1983)