Career
Nazimova's theater career blossomed early; and by 1903 she was a major star in Moscow and Saint Petersburg. She toured Europe, including London and Berlin, with her boyfriend Pavel Orlenev, a flamboyant actor and producer. In 1905 they moved to New York City and founded a Russian-language theater on the Lower East Side. The venture was unsuccessful; and Orlenev returned to Russia while Nazimova stayed in New York.
She was signed up by the American producer Henry Miller and made her Broadway debut in New York City, in 1906 to critical and popular success. She quickly became extremely popular (a theater was named after her) and remained a major Broadway star for years, often acting in the plays of Henrik Ibsen and Anton Chekhov. Dorothy Parker described her as the finest Hedda Gabler she had ever seen.
Due to her notoriety in a 35-minute 1915 play entitled War Brides, Nazimova made her silent film debut in 1916 in the filmed version of the play. A young actor with a bit part in the movie was Richard Barthelmess whose mother taught Nazimova English. This appearance brought her to the attention of Lewis J. Selznick. Over the next few years she made a number of highly successful films that earned her a considerable amount of money. By 1917 her contract was earning her $13,000 per week.
In 1918, Nazimova felt confident enough in her abilities that she began producing and writing films in which she also starred. In her film adaptations of works by such notable writers as Oscar Wilde and Ibsen she developed her own film making techniques, which were considered daring at the time. Her projects, including A Doll's House (1922), based on Ibsen, and Salomé (1923), based on Wilde's play, were critical and commercial failures.
By 1925 Nazimova could no longer afford to invest in more films; and financial backers withdrew their support. Left with few options, she gave up on the film industry, returning to perform on Broadway, notably starring as Natalya Petrovna in Rouben Mamoulian's 1930 New York production of Turgenev's A Month in the Country and an acclaimed performance as Mrs. Alving in Ibsen's Ghosts. In the early 1940s, she appeared in a few more films, playing Robert Taylor's mother in Escape (1940) and Tyrone Power's mother in Blood and Sand (1941).
Read more about this topic: Alla Nazimova
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