Marriage and Radio Career
Faye's first marriage, to Tony Martin in 1937, ended in divorce in 1940. A year later, however, she married Phil Harris. This marriage became a plotline on an episode of the hit radio show hosted by Harris's then-employer, Jack Benny, which struck platinum, both in Faye's personal and in her professional life.
The couple had two daughters, Alice (b. 1942) and Phyllis (b. 1944), along with Harris's adopted son from his first marriage, Phil Harris, Jr. (b. 1935), and they began working in radio together as Faye's film career declined. First, they teamed to host a variety show on NBC, The Fitch Bandwagon, in 1946. Originally conceived as a music showcase, the Harrises' gently-tart comedy sketches made them the show's breakout stars. By 1948, Fitch bowed away as sponsor in favor of Rexall, the pharmaceutical giant, and the show, now a strictly situation comedy with a music interlude each from husband and wife, was renamed The Phil Harris-Alice Faye Show.
Harris's comic talent was already familiar through his tenure on The Jack Benny Show, where he played Benny's wisecracking, jive-talking, hipster bandleader. With their own show revamped to a sitcom, bandleader-comedian Harris and singer-actress Faye played themselves, raising two precocious children in and out of slightly zany situations, mostly involving Harris's band guitarist Frank Remley (Elliott Lewis), obnoxious delivery boy Julius Abruzzio (Walter Tetley, familiar as nephew Leroy on The Great Gildersleeve), Robert North as Faye's fictitious deadbeat brother, Willie, and sponsor's representative Mr. Scott (Gale Gordon), and usually involving bumbling, malapropping Harris needing rescue from acidly-loving Faye.
The Harrises' two daughters were played on radio by Jeanine Roos and Anne Whitfield; written mostly by Ray Singer and Dick Chevillat, the show stayed on NBC radio as a fixture until 1954.
Faye singing ballads and swing numbers in her honey contralto voice was a regular highlight of the show, as was a knack for tart one-liners equal to her husband's. The show's running gags also included references to Alice's wealth from her film career ("I'm only trying to protect the wife of the money I love" was a typical Harris drollery) and occasional barbs by Faye aimed at her rift with Zanuck, usually referencing Fallen Angel in one or another way.
Read more about this topic: Alice Faye
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