Works
Alexander is known for reflecting the works of several other Middle Age thinkers, especially those of Saint Anselm, and Saint Augustine. He is also known to quote thinkers such as Saint Bernard, and Richard of Saint-Victor. He differs from those in his genre as he is known to reflect his own interests and those of his generation. When using the works of his authorities Alexander does not only review their reasoning but also gives conclusions, expands on them, and offers his agreements and disagreement with them. He was also different in that he appeals to Pre-Lombardian figures, and his use of Anselm of Canterbury and Bernard of Clairvaux, whose works were not cited as frequently by other 12th century scholastics. Aristotle is also quite frequently quoted in Alexander's works. Alexander was fascinated by Pseudo-Dionysian hierarchy of angels and in how their nature can be understood, given Aristotelian metaphysics.
Among the doctrines which were specially developed and, so to speak, fixed by Alexander of Hales, are the thesaurus supererogationis perfectorum (treasury of supererogatory merits) and the character indelibilis (sacramental character) of baptism, confirmation, and ordination. That doctrine had been written about much earlier by Augustine of Hippo and was eventually defined a dogma by the Council of Trent. He also posed an important question about the cause of the Incarnation: would Christ have been incarnated if humanity had never sinned? The question eventually became the focal point for a philosophical issue (the theory of possible worlds) and a theological topic on the distinction between God's absolute power (potentia absoluta) and His ordained power (potentia ordinata).
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Famous quotes containing the word works:
“I know no subject more elevating, more amazing, more ready to the poetical enthusiasm, the philosophical reflection, and the moral sentiment than the works of nature. Where can we meet such variety, such beauty, such magnificence?”
—James Thomson (1700–1748)
“Only the more uncompromising of the mystics still seek for knowledge in a silent land of absolute intuition, where the intellect finally lays down its conceptual tools, and rests from its pragmatic labors, while its works do not follow it, but are simply forgotten, and are as if they never had been.”
—Josiah Royce (1855–1916)
“You are always looking for already-felt emotions, just as you like to get an old pair of trousers back from the cleaners, which seem new when you don’t look too closely. Artists are cleaners, don’t let yourself be taken in by them. True modern works of art are made not by artists but quite simply by men.”
—Francis Picabia (1878–1953)