Literary Works
- "We don't perceive a contradiction between writing books, making films or producing a television program. These days you can't choose how you want to express yourself anymore."
- —Alexander Kluge
Kluge is also one of the major German fiction writers of the late-20th century and an important social critic. His fictional works, which tend toward the short story form, are significant for their formal experimentation and insistently critical thematics. Constituting a form of analytical fiction, they utilize techniques of narrative disruption, mixed genres, interpolation of non-literary texts and documents, and perspectival shifts. The texts frequently employ a flat, ironic tone. One frequent effect approximates what Viktor Shklovsky and the Russian formalists identified as defamiliarization or ostranenie. Kluge has used several of the stories as the bases for his films.
Kluge's major works of social criticism include Öffentlichkeit und Erfahrung. Zur Organisationsanalyse von bürgerlicher und proletarischer Öffentlichkeit, co-written with Oskar Negt and originally published in 1972, and "Geschichte und Eigensinn", also co-authored with Negt. "Öffentlichkeit und Erfahrung" has been translated into English as Public Sphere and Experience: Toward an Analysis of the Bourgeois and Proletarian Public Sphere and "Geschichte und Eigensinn" is currently being translated into English and will appear in an edition published by MIT Press in the future.
"Public Sphere and Experience" revisits and expands Jürgen Habermas's notion of the public sphere (which he articulated in his book "Structural Transformation of the Public Sphere") and calls for the development of a new "proletarian public sphere" grounded in the life experience of the working class. "Geschichte und Eigensinn" continues this project and tries to rethink the very nature of proletarian experience and develops a theory of "living labour" grounded in the work of Karl Marx.
He has also published numerous texts on literary, film and television criticism.
Read more about this topic: Alexander Kluge
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“Literary works cannot be taken over like factories, or literary forms of expression like industrial methods. Realist writing, of which history offers many widely varying examples, is likewise conditioned by the question of how, when and for what class it is made use of.”
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“There are in me, in literary terms, two distinct characters: one who is taken with roaring, with lyricism, with soaring aloft, with all the sonorities of phrase and summits of thought; and the other who digs and scratches for truth all he can, who is as interested in the little facts as the big ones, who would like to make you feel materially the things he reproduces.”
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