Significance and Legacy
The Czech National Museum produced a large exhibition about Wallenstein at the Wallenstein Palace in Prague (current seat of Senate) from 15 November 2007 till 15 February 2008. He is also the subject of Schiller's play trilogy Wallenstein. One of the episodes in Erich Kästner's "The 35 May" depicts Wallenstein in his afterlife being engaged in a fierce war with Hannibal and emphasizes both generals' callous disregard for the lives of their soldiers - underlining Kästner's pacifist views. Wallenstein is also a main figure in Alfred Döblin's eponymous novel from 1920.
Wallenstein's particular genius lay in recognizing a new way for funding war: instead of merely plundering enemies, he called for a new method of systematic "war taxes". Even a city or a prince on the side of the Emperor had to pay taxes towards the war. He understood the enormous wastage of resources that resulted from tax exactions on princes and cities of defeated enemies only, and desired to replace this with a "balanced" system of taxation; wherein both sides bore the cost of a war. He was unable to fully realize this ambition; and in fact his idea led to the random exploitation of whole populations on either side, until finally, almost fifteen years after his death, the war had become so expensive that the warring parties were forced to make peace. In any case, Wallenstein's idea inspired many, among them, Colbert, to "pluck the goose with a minimum of screeching".
Composer Bedřich Smetana honored Wallenstein in his 1859 symphonic poem Wallenstein's Camp, which was originally intended as an overture to a play by Schiller.
Read more about this topic: Albrecht Von Wallenstein
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