Cultural References
The iconography of the tympanum and archivolts of the late 13th-century portal of Strasbourg Cathedral was inspired by the writings of Albertus Magnus. Albertus is recorded as having made a mechanical automaton in the form of a brass head that would answer questions put to it. Such a feat was also attributed to Roger Bacon.
In The Concept of Anxiety Søren Kierkegaard wrote that Albert Magnus, "arrogantly boasted of his speculation before the deity and suddenly became stupid." Kierkegaard cites G. O. Marbach who he quotes as saying "Albertus repente ex asino factus philosophus et ex philosopho asinus" .
In 1968, he was cited by William F. Buckley as one of several historical figures whose best qualities would be emulated by the ideal President.
The typeface Albertus is named in his memory.
In Mary Shelley's Frankenstein, Albertus Magnus is referred to as one of Victor Frankenstein's chosen readings. He is also referred to in Nathaniel Hawthorne's The Birth-mark and Herman Melville's The Bell Tower. In Robert Heinlein's novel Glory Road, the hero, Scar Gordon, reads a book of magic by Albertus Magnus and comments on love magic involving a wolf's burned hair. In Terry Pratchett's Discworld novels, the character of Alberto Mallich (founder of the Unseen University and later Death's manservant Albert) is a sly nod to Albertus Magnus in his more legendary and esoteric guise. Walter M. Miller, Jr.'s novel A Canticle for Leibowitz centers on a monastic order called the Albertian Order of Leibowitz, named by its founder after Albertus Magnus and dedicated to preserving scientific knowledge lost after a nuclear war.
Read more about this topic: Albertus Magnus
Famous quotes containing the word cultural:
“The primary function of myth is to validate an existing social order. Myth enshrines conservative social values, raising tradition on a pedestal. It expresses and confirms, rather than explains or questions, the sources of cultural attitudes and values.... Because myth anchors the present in the past it is a sociological charter for a future society which is an exact replica of the present one.”
—Ann Oakley (b. 1944)