Albert Costa - Singles Performance Timeline

Singles Performance Timeline

Tournament 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 Career SR Career Win-Loss
Grand Slam tournaments
Australian Open A A A A 2R QF 2R 1R 1R A 4R 3R 3R 1R A 0 / 9 13–9
French Open A A 1R QF 2R 3R 4R 3R QF 1R W SF 3R 1R A 1 / 12 30–11
Wimbledon A A 1R A 2R A 2R 1R A A A A 1R A A 0 / 5 2–5
US Open A A 1R A 1R 1R 1R 1R 2R 4R 2R 2R 1R 1R A 0 / 11 6–11
Grand Slam SR 0 / 0 0 / 0 0 / 3 0 / 1 0 / 4 0 / 3 0 / 4 0 / 4 0 / 3 0 / 2 1 / 3 0 / 3 0 / 4 0 / 3 0 / 0 1 / 37 N/A
Annual Win-Loss 0–0 0–0 0–3 4–1 3–4 6–3 5–4 2–4 5–3 3–2 11–2 8–3 4–4 0–3 0–0 N/A 51–36
Summer Olympics
Summer Olympics A Not Held 2R Not Held 1R Not Held A Not Held 0 / 2 1–2
ATP Masters Series
Indian Wells A A A 1R 3R 1R 2R 1R 3R 1R 2R 2R 3R A A 0 / 10 8–10
Key Biscayne A A A A 2R 2R 3R 4R 2R 2R 2R SF 2R A A 0 / 9 11–9
Monte Carlo A A 2R 1R F 3R 3R QF QF 3R QF 2R 1R 2R A 0 / 12 22–12
Rome A A 2R 1R SF 3R F 1R QF 1R QF 3R SF 2R A 0 / 12 25–11
Hamburg A A A 2R 2R QF W 2R 1R SF 2R 2R 3R 2R A 1 / 11 19–10
Toronto / Montreal A A A A A A 3R A A 3R 1R A A A A 0 / 3 4–3
Cincinnati A A A A A SF 2R 2R 1R 1R 2R 1R A A A 0 / 7 7–7
Stuttgart / Madrid A A A A 1R A 1R 2R 2R 2R A 2R 2R 1R A 0 / 8 5–8
Paris A A A A 1R A 1R 3R QF 3R 2R 2R A A A 0 / 7 8–7
Masters Series SR 0 / 0 0 / 0 0 / 2 0 / 4 0 / 7 0 / 6 1 / 9 0 / 8 0 / 8 0 / 9 0 / 8 0 / 8 0 / 6 0 / 4 0 / 0 1 / 79 N/A
Annual Win-Loss 0–0 0–0 2–2 1–4 13–7 11–6 19–7 9–8 12–8 11–9 9–8 11–8 8–6 3–4 0–0 N/A 109–77
Year End Ranking 747 221 52 24 13 19 14 18 26 40 9 25 56 116 623 N/A

A = did not play in tournament

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    “The audience is the most revered member of the theater. Without an audience there is no theater. Every technique learned by the actor, every curtain, every flat on the stage, every careful analysis by the director, every coordinated scene, is for the enjoyment of the audience. They are our guests, our evaluators, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.”
    —Viola Spolin (b. 1911)