Ideas On The Absurd
Camus presents the reader with dualisms such as happiness and sadness, dark and light, life and death, etc. He emphasizes the fact that happiness is fleeting and that the human condition is one of mortality; for Camus, this is cause for a greater appreciation for life and happiness. In Le Mythe, dualism becomes a paradox: we value our own lives in spite of our mortality and in spite of the universe's silence. While we can live with a dualism (I can accept periods of unhappiness, because I know I will also experience happiness to come), we cannot live with the paradox (I think my life is of great importance, but I also think it is meaningless). In Le Mythe, Camus investigates our experience of the Absurd and asks how we live with it. Our life must have meaning for us to value it. If we accept that life has no meaning and therefore no value, should we kill ourselves?
In Le Mythe, Camus suggests that 'creation of meaning', would entail a logical leap or a kind of philosophical suicide in order to find psychological comfort. But Camus wants to know if he can live with what logic and lucidity has uncovered – if one can build a foundation on what one knows and nothing more. Creation of meaning is not a viable alternative but a logical leap and an evasion of the problem. He gives examples of how others would seem to make this kind of leap. The alternative option, namely suicide, would entail another kind of leap, where one attempts to kill absurdity by destroying one of its terms (the human being). Camus points out, however, that there is no more meaning in death than there is in life, and that it simply evades the problem yet again. Camus concludes, that we must instead 'entertain' both death and the absurd, while never agreeing to their terms.
Meursault, the absurdist hero of L'Étranger, has killed a man and is scheduled to be executed. Caligula ends up admitting his absurd logic was wrong and is killed by an assassination he has deliberately brought about. However, while Camus possibly suggests that Caligula's absurd reasoning is wrong, the play's anti-hero does get the last word, as the author similarly exalts Meursault's final moments.
Camus made a significant contribution to a viewpoint of the Absurd, and always rejected nihilism as a valid response.
"If nothing had any meaning, you would be right. But there is something that still has a meaning." Second Letter to a German Friend, December 1943.
Camus's understanding of the Absurd promotes public debate; his various offerings entice us to think about the Absurd and offer our own contribution. Concepts such as cooperation, joint effort and solidarity are of key importance to Camus, though they are most likely sources of 'relative' versus 'absolute' meaning. In The Rebel, Camus identifies rebellion (or rather, the values indicated by rebellion) as a basis for human solidarity.
"When he rebels, a man identifies himself with other men and so surpasses himself, and from this point of view human solidarity is metaphysical. But for the moment we are only talking of the kind of solidarity that is born in chains."
Read more about this topic: Albert Camus
Famous quotes containing the words ideas and/or absurd:
“My ideas are a curse.
They spring from a radical discontent
with the awful order of things.
I play clown. I play carpenter. I play nurse.
I play witch.”
—Anne Sexton (1928–1974)
“It seems, Euphranor..., that there is nothing so singularly absurd as we are apt to think, in the belief of mysteries; and that a man need not renounce his reason to maintain his religion. But if this were true, how comes it to pass, that, in proportion as men abound in knowledge, they dwindle in faith?”
—George Berkeley (1685–1753)