Depeche Mode
Following the departure of Vince Clarke, Depeche Mode placed an advertisement in the music magazine Melody Maker: "Keyboard player needed for established band – no timewasters." Even though the ad was looking for someone under 21 (Wilder was 22) he lied about his age to get the job, and got away with it. He joined Depeche Mode in January 1982, initially as a tour keyboardist, and soon thereafter as a full member of the recording band.
Wilder wrote a handful of songs for Depeche Mode, including "The Great Outdoors" (the B-Side to "Get The Balance Right"), "Two Minute Warning" and "The Landscape Is Changing" (and a B-Side, "Fools") from the album Construction Time Again, and "If You Want" and "In Your Memory" from the album Some Great Reward. However, Wilder's more notable contributions to Depeche Mode were as a musician, arranger, and producer.
In addition to playing synthesiser throughout his time with Depeche Mode, Wilder also played piano on the band's signature ballad "Somebody," and oboe on the band's hit anthem, "Everything Counts." In the documentary film 101, Wilder demonstrates how different synthesiser parts of a song are split and arranged across a sampling keyboard for playing them live during the concert, just one small example of Wilder's ongoing contributions to Depeche Mode during his time as a member of the group. For the recording of the album Songs of Faith and Devotion and its corresponding Devotional Tour Wilder learned to play live drums.
For "Enjoy The Silence" from the album Violator, Wilder is credited with taking Martin Gore's melancholy ballad-esque demo and re-envisioning the song as a percolating, melodic dance track. The resulting single went on to become one of the most commercially successful songs in Depeche Mode's history.
Read more about this topic: Alan Wilder
Famous quotes containing the word mode:
“In most cases a favorite writer is more with us in his book than he ever could have been in the flesh; since, being a writer, he is one who has studied and perfected this particular mode of personal incarnation, very likely to the detriment of any other. I should like as a matter of curiosity to see and hear for a moment the men whose works I admire; but I should hardly expect to find further intercourse particularly profitable.”
—Charles Horton Cooley (18641929)