Other Works
Paton's second and third novels, Too Late the Phalarope (1953) and Ah, but Your Land is Beautiful (1981), and his short stories, Tales From a Troubled Land (1961), all deal with the same racial themes that concerned the author in his first novel. Ah, but Your Land is Beautiful was built on parallel life stories, letters, speeches, news and records in legal proceedings, and mixed fictional and real-life characters, such as Donald Molteno, Albert Lutuli and Hendrik Verwoerd. The novel is categorised as historical fiction, as it gives an accurate account of the resistance movement in South Africa during the 1960s. "Paton attempts to imbue his characters with a humanity not expected of them. In this novel, for example, we meet the supposedly obdurate Afrikaner who contravenes the infamous Immorality Act. There are other Afrikaners, too, who are led by their consciences and not by rules, and regulations promulgated by a faceless, monolithic parliament."
Paton was a prolific essay writer on race and politics in South Africa. In Save the Beloved Country he plays on the famous title of his first novel, but keeps a serious tone in discussing many of the famous personalities and issues on different sides of South Africa's apartheid struggle. His Anglican faith was another factor in his life and work: the title of one work is Instrument of Thy Peace. Paton also wrote two autobiographies: Towards the Mountain deals with Paton's life leading up to and including the publication of Cry, the Beloved Country (an event that changed the course of his life) while Journey Continued takes its departure from that time onwards. He also wrote a biography of his friends Jan Hendrik Hofmeyr (Hofmeyr), and Geoffrey Clayton (Apartheid and the Archbishop). Another literary form that interested him throughout his life was poetry; the biographer Peter Alexander includes many of these poems in his biography of Paton.
Publications of Paton's work include a volume of his travel writing, The Lost City of the Kalahari (2006), and a complete selection of his shorter writings, The Hero of Currie Road.
Read more about this topic: Alan Paton
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—Ralph Waldo Emerson (1803–1882)
“The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.”
—Freya Stark (b. 1893–1993)