Theatre
Cumming began his theatre career in his native Scotland, performing in seasons with the Royal Lyceum Edinburgh, Dundee Rep, The Tron Glasgow and tours with Borderline, Theatre Workshop and Glasgow Citizens' TAG. He played Slupianek in the Traverse Theatre, Edinburgh's 1988 production of Conquest of the South Pole, which later transferred to the Royal Court in London and earned him an Olivier Award nomination as Most Promising Newcomer. He went on to perform plays with the Bristol Old Vic and the Royal Shakespeare Company and played Valere in La Bete at the Lyric, Hammersmith, London. In 1991 he played The Madman in the 1990 Royal National Theatre production of Accidental Death of an Anarchist by Dario Fo, for which he won an Olivier Award. He also adapted the play with director Tim Supple. In 1993 he received great critical acclaim and the TMA Best Actor award for playing title role in the 1993 English Touring Theatre's Hamlet (playing opposite his then-wife, Hilary Lyon, in the role of Ophelia), He played the role of Emcee in Sam Mendes's 1993 revival of the musical Cabaret in London's West End opposite Jane Horrocks as Sally Bowles. He received an Olivier Award nomination for Best Actor in a Musical. He reprised the role in 1998 for the Mendes-Rob Marshall Broadway revival, this time opposite Natasha Richardson as Sally Bowles. He won a Tony Award, Drama Desk Award, and Outer Critics Circle Award for his performance.
Other US stage roles include Otto in the 2001 Broadway production of Design for Living by Noël Coward, Mac the Knife in Bertolt Brecht-Kurt Weill musical The Threepenny Opera opposite Cyndi Lauper. Cumming performed alongside Dianne Wiest in Classic Stage Company's production of Anton Chekhov's The Seagull, directed by Viacheslav Dolgachev. In 2002, Cumming and then-boyfriend British director Nick Philippou formed the production company The Art Party. The company's first and only play was the first English production of Jean Genet's play Elle, which Cumming had adapted from a literal translation by Terri Gordon. The company folded in 2003.
In 2006 he returned to the West End playing the lead role in Bent, a play about homosexuals in Germany under the Nazis. In 2007 he took the lead role in the National Theatre of Scotland's production of The Bacchae, which premiéred at the Edinburgh Festival in August, transferring to the Lyric Theatre in London and then to Lincoln Center, New York, winning him Herald ArcAngel award.
He collaborated again with John Tiffany and the National Theatre of Scotland in 2012, playing all the roles in Macbeth
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Famous quotes containing the word theatre:
“If an irreducible distinction between theatre and cinema does exist, it may be this: Theatre is confined to a logical or continuous use of space. Cinema ... has access to an alogical or discontinuous use of space.”
—Susan Sontag (b. 1933)
“For the theatre one needs long arms; it is better to have them too long than too short. An artiste with short arms can never, never make a fine gesture.”
—Sarah Bernhardt (18441923)
“As in a theatre the eyes of men,
After a well-graced actor leaves the stage,
Are idly bent on him that enters next,
Thinking his prattle to be tedious,
Even so, or with much more contempt, mens eyes
Did scowl on gentle Richard.”
—William Shakespeare (15641616)