Production
Ardeshir Irani handled the sound recording department, using the Tanar Sound System. It was shot with the Tanar single-system camera, which recorded sound directly onto the film. Since there were no soundproof studios available at the time, the shooting was done mostly at night, to avoid daytime noises, with microphones hidden near the actors.
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“It is part of the educator’s responsibility to see equally to two things: First, that the problem grows out of the conditions of the experience being had in the present, and that it is within the range of the capacity of students; and, secondly, that it is such that it arouses in the learner an active quest for information and for production of new ideas. The new facts and new ideas thus obtained become the ground for further experiences in which new problems are presented.”
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