Aladdin Sane - Production and Style

Production and Style

The majority of Aladdin Sane was recorded at Trident Studios in London from December 1972 to January 1973, between legs of Bowie's U.S. Ziggy Stardust tour. A desire to rush release the record was blamed for mixes on the Rolling Stones influenced "Watch That Man" and "Cracked Actor" that buried vocals and harmonica, respectively. Bowie and producer Ken Scott later refuted this suggestion regarding "Watch That Man", claiming that a remix they produced which brought the vocals forward was considered by Mainman management and RCA Records to be inferior to the original that was eventually released.

Aladdin Sane featured a tougher rock sound than its predecessor Ziggy Stardust, particularly on tracks like "Panic in Detroit" (built around a Bo Diddley beat) and Bowie’s breakneck version of the Stones' "Let's Spend the Night Together". The album was also notable for its exploration of unusual styles such as avant-garde jazz in the title track and Brechtian cabaret in "Time", the latter being famous for the line "Time ... falls wanking to the floor". Both numbers were dominated by Mike Garson’s acclaimed piano work, which also featured heavily in the faux James Bond flamenco ballad "Lady Grinning Soul", inspired by singer Claudia Linnear.

Read more about this topic:  Aladdin Sane

Famous quotes containing the words production and/or style:

    The myth of unlimited production brings war in its train as inevitably as clouds announce a storm.
    Albert Camus (1913–1960)

    One who has given up any hope of winning a fight or has clearly lost it wants his style in fighting to be admired all the more.
    Friedrich Nietzsche (1844–1900)