Paintings
- Boy with a Crow (Poika ja varis) (1884)
- The Old Woman and the Cat (Akka ja kissa) (1885)
- Démasquée (fr) (1888)
- Ahlström family (1890)
- The Aino triptych (Aino-taru) (1891)
- Mäntykoski Waterfall (1892)
- A Winter Scene From Imatra (1893)
- The Forging of the Sampo (Sammon taonta) (1893)
- Jean Sibelius (1894)
- Lake Ruovesi (1896), at the Pushkin Museum of Fine Arts in Moscow
- The Defense of the Sampo (Sammon puolustus) (1896)
- Lemminkäinen's Mother (Lemminkäisen äiti) (1897)
- Moonlit Night (1897), at the Pushkin Museum of Fine Arts in Moscow
- The Fratricide (Velisurmaaja) (1897)
- Joukahainen's Revenge (Joukahaisen kosto) (1897)
- Symposion (1894)
- Kullervo's Curse (Kullervon kirous) (1899)
- Kullervo Rides to War (Kullervon sotaanlähtö) (1901)
- Lake Keitele (1905), at the National Gallery in London
- Ad Astra (1907)
- Väinämöinen's Boat Journey (1909)
Read more about this topic: Akseli Gallen-Kallela
Famous quotes containing the word paintings:
“The invention of photography provided a radically new picture-making process—a process based not on synthesis but on selection. The difference was a basic one. Paintings were made—constructed from a storehouse of traditional schemes and skills and attitudes—but photographs, as the man on the street put, were taken.”
—Jean Szarkowski (b. 1925)
“When I began to have a fire at evening, before I plastered my house, the chimney carried smoke particularly well, because of the numerous chinks between the boards.... Should not every apartment in which man dwells be lofty enough to create some obscurity overhead, where flickering shadows may play at evening about the rafters? These forms are more agreeable to the fancy and imagination than fresco paintings or other the most expensive furniture.”
—Henry David Thoreau (1817–1862)
“All photographs are there to remind us of what we forget. In this—as in other ways—they are the opposite of paintings. Paintings record what the painter remembers. Because each one of us forgets different things, a photo more than a painting may change its meaning according to who is looking at it.”
—John Berger (b. 1926)