History of The Script
The Ahom script was probably derived from the Indic, or Brahmi script, the root of almost all the Indic and Southeast Asian abugidas. It is probably of South Indic origin.
The Brahmi script spread in a peaceful manor, Indianization, or the spread of Indian learning. It spread naturally to Southeast Asia, at ports on trading routes. At these trading posts, ancient inscriptions have been found in Sanscrit, using scripts that originated in India. Asian varieties of these scripts later developed. At first, inscriptions were found in Indian languages, but later inscriptions of southeast Asian languages were found in scripts derived from Indian scripts. Local varieties of the scripts were developed, that did not originate in India. Later, symbols for sounds in Tai languages were developed, and the Indic style of writing was left behind.
It is believed that the Ahom people adopted the script from either Old Mon, or Old Burmese, before migrating to the Brahmaputra Valley. This is supported based on similar shapes of characters between Ahom and Old Mon and Old Bermese scripts. It is clear, however, that the script and language would have changed during the few hundred years it was in use. A print form of the font was developed to be used in the first "Ahom-Assamese-English Dictionary".
Assamese replaced Ahom during the 17th century.
The Ahom script is no longer used by the Ahom people to read and write in every day life. However, it retains cultural significance and is used for religious chants and to read literature. Ahom's literary tradition provides a window into the past, of Ahom's culture.
Samples of writing in the Ahom Script remain stored in Assamese collections.
Read more about this topic: Ahom Alphabet
Famous quotes containing the words history of the, history of, history and/or script:
“The view of Jerusalem is the history of the world; it is more, it is the history of earth and of heaven.”
—Benjamin Disraeli (1804–1881)
“Perhaps universal history is the history of the diverse intonation of some metaphors.”
—Jorge Luis Borges (1899–1986)
“Every generation rewrites the past. In easy times history is more or less of an ornamental art, but in times of danger we are driven to the written record by a pressing need to find answers to the riddles of today.... In times of change and danger when there is a quicksand of fear under men’s reasoning, a sense of continuity with generations gone before can stretch like a lifeline across the scary present and get us past that idiot delusion of the exceptional Now that blocks good thinking.”
—John Dos Passos (1896–1970)
“Genghis Khan, in his usual jodhpurs accessorized with whip, straddled a canvas chair and gloated upon the fairyland he had built. Journalists, photographers, secretaries, sycophants, script girls, and set dressers milled and stirred around him, activity ... irresistibly reminiscent of the movement of maggots upon rotting meat.”
—Angela Carter (1940–1992)