Historic Traits
As well as bringing harmonic and rhythmic features from Western and Sub-Saharan Africa into European musical styles, it was the historical condition of chattel slavery experienced by black Americans within American society that contributed the conditions which would define their music. Many of the characteristic musical forms that define African-American music have historical precedents. These earlier forms include:
- field hollers
- work song
- call and response
- vocality (or special vocal effects): guttural effects, interpolated vocality, falsetto, melisma, vocal rhythmization
- improvisation
- blue notes
- polyrhythms: syncopation, concrescence, tension, improvisation, percussion, swung note
- texture: antiphony, homophony, polyphony, heterophony
- harmony: vernacular progressions; complex, multi-part harmony, as in spirituals and barbershop music
Read more about this topic: African American Music
Famous quotes containing the words historic and/or traits:
“We are becoming like cats, slyly parasitic, enjoying an indifferent domesticity. Nice and snug in the social our historic passions have withdrawn into the glow of an artificial cosiness, and our half-closed eyes now seek little other than the peaceful parade of television pictures.”
—Jean Baudrillard (b. 1929)
“... the first reason for psychologys failure to understand what people are and how they act, is that clinicians and psychiatrists, who are generally the theoreticians on these matters, have essentially made up myths without any evidence to support them; the second reason for psychologys failure is that personality theory has looked for inner traits when it should have been looking for social context.”
—Naomi Weisstein (b. 1939)