Aelbert Cuyp - Paintings

Paintings

Sunlight in his paintings rakes across the panel, accentuating small bits of detail in the golden light. In large, atmospheric panoramas of the countryside, the highlights on a blade of meadow grass, the mane of a tranquil horse, the horn of a dairy cow reclining by a stream, or the tip of a peasant's hat are all caught in a bath of yellow ocher light. The richly varnished medium refracts the rays of light like a jewel as it dissolves into numerous glazed layers. Cuyp's landscapes were based on reality and on his own invention of what an enchanting landscape should be.

Cuyp's drawings reveal him to be a draftsman of superior quality. Light-drenched washes of golden brown ink depict a distant view of the city of Dordrecht or Utrecht. A Cuyp drawing may look like he intended it to be a finished work of art, but it was most likely taken back to the studio and used as a reference for his paintings. Often the same section of a sketch can be found in several different pictures.

Cuyp signed many of his works but rarely dated them, so that a chronology of his career has not been satisfactorily reassembled. A phenomenal number of paintings are ascribed to him, some of which are likely to be by other masters of the golden landscape, such as Abraham Calraet (1642–1722), whose initials A.C. may be mistaken for Cuyp's.

However, not everyone appreciates his work and River Landscape (1660), despite being widely regarded as amongst his best work, has been described as having "chocolate box blandness".