Adam Clayton - Style

Style

As a bass player, Adam Clayton's most recognizable basslines include "New Year's Day", which evolved out of an attempt to play Visage's song "Fade to Grey", and "With or Without You". His style includes Motown and reggae influences, and cites artists such as Paul Simonon of The Clash as influences on his musical style. When Clayton first joined the fledgling U2, he did not have formal training in the bass. In the band's early years, he generally played simple parts in 4/4 time. Bono said of Clayton's early bass playing, "Adam used to pretend he could play bass. He came round and started using words like 'action' and 'fret' and he had us baffled. He had the only amplifier, so we never argued with him. We thought this guy must be a musician; he knows what he's talking about. And then one day, we discovered he wasn't playing the right notes. That's what's wrong, y'know?"

Clayton has sung on several occasion, including on the song "Endless Deep", the B-side to the single "Two Hearts Beat As One" from 1983. Clayton also sung backup vocals on "I Will Follow" during live performances in 1983 and 1984. He also spoke the last verse of "Your Blue Room". Clayton can be heard speaking on "Tomorrow ('96 Version)" (a rerecording of "Tomorrow" that he arranged) a song from U2's 1981 album October. He plays the guitar on a few occasions, most notably the song "40", where he and guitarist The Edge switch instruments. He also plays the keyboard introduction to "City of Blinding Lights".

Read more about this topic:  Adam Clayton

Famous quotes containing the word style:

    The habit some writers indulge in of perpetual quotation is one it behoves lovers of good literature to protest against, for it is an insidious habit which in the end must cloud the stream of thought, or at least check spontaneity. If it be true that le style c’est l’homme, what is likely to happen if l’homme is for ever eking out his own personality with that of some other individual?
    Dame Ethel Smyth (1858–1944)

    As the style of Faulkner grew out of his rage—out of the impotence of his rage—the style of Hemingway grew out of the depth and nuance of his disenchantment.
    Wright Morris (b. 1910)

    If the British prose style is Churchillian, America is the tobacco auctioneer, the barker; Runyon, Lardner, W.W., the traveling salesman who can sell the world the Brooklyn Bridge every day, can put anything over on you and convince you that tomatoes grow at the South Pole.
    Ishmael Reed (b. 1938)