Work
Stifter's work is characterized by the pursuit of beauty; his characters strive to be moral, and move in gorgeous landscapes luxuriously described. Evil, cruelty, and suffering rarely appear on the surface of his writing, but Thomas Mann noted that "behind the quiet, inward exactitude of his descriptions of Nature in particular there is at work a predilection for the excessive, the elemental and the catastrophic, the pathological." Although considered by some to be one-dimensional compared to his more famous and realistic contemporaries, his visions of ideal worlds reflect his informal allegiance to the Biedermeier movement in literature. As Carl Schorske puts it, "To illustrate and propagate his concept of Bildung, compounded of Benedictine world piety, German humanism, and Biedermeier conventionality, Stifter gave to the world his novel Der Nachsommer".
The majority of his works are long stories or short novels, many of which were published in multiple versions, sometimes radically changed. His major works are the long novels Der Nachsommer and Witiko.
Stifter's Der Nachsommer (1857) and Gottfried Keller's Der Grüne Heinrich (Green Henry) were named the two great German novels of the 19th century by Friedrich Nietzsche. Der Nachsommer is considered one of the finest examples of the Bildungsroman, but received a mixed reception from critics at the time. Friedrich Hebbel offered the crown of Poland to whoever could finish it, and called Stifter a writer only interested in "beetles and buttercups."
Witiko is a historical novel set in the 12th century, a strange work panned by many critics, but praised by Hermann Hesse and Thomas Mann. Dietrich Bonhoeffer found great comfort from his reading of Witiko while in Tegel Prison under Nazi arrest.
Read more about this topic: Adalbert Stifter
Famous quotes containing the word work:
“Because I have work to care about, it is possible that I may be less difficult to get along with than other women when the double chins start to form.”
—Gloria Steinem (b. 1934)
“It is the work of a brave man surely, in whom there was no guile! He rounded this water with his hand, deepened and clarified it in his thought, and in his will bequeathed it to Concord. I see by its face that it is visited by the same reflection; and I can almost say, Walden, is it you?”
—Henry David Thoreau (1817–1862)
“... in love, barriers cannot be destroyed from the outside by the one to whom the cause despair, no matter what he does; and it is only when he is no longer concerned with them that, suddenly, as a result of work coming from elsewhere, accomplished within the one who did not love him, these barriers, formerly attacked without success, fall futilely.”
—Marcel Proust (1871–1922)