Influence
In the German edition of his Reminiscences, Carl Schurz recalls his meeting with the daughter of the keeper of the Swiss inn he was staying at whose favorite book was Stifter's Studien. This incident occurred prior to 1852.
He was named as an influence by W. G. Sebald, and both W. H. Auden and Marianne Moore admired his work, the latter co-translating Bergkristall as Rock Crystal with Elizabeth Mayer in 1945. Auden included Stifter in his poem "Academic Graffiti" as one of the celebrities, literary and otherwise, captured in a clerihew:
Adalbert Stifter / Was no weight-lifter: / He would hire old lags / To carry his bags.
Thomas Mann was also an admirer of Stifter, calling him "one of the most extraordinary, the most enigmatic, the most secretly daring and the most strangely gripping narrators in world literature."
Rilke and Hugo von Hofmannsthal were deeply indebted to his art.
Read more about this topic: Adalbert Stifter
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“The question of place and climate is most closely related to the question of nutrition. Nobody is free to live everywhere; and whoever has to solve great problems that challenge all his strength actually has a very restricted choice in this matter. The influence of climate on our metabolism, its retardation, its acceleration, goes so far that a mistaken choice of place and climate can not only estrange a man from his task but can actually keep it from him: he never gets to see it.”
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