The Acropolis Restoration Project
The Project began in 1975 and is now nearing completion. The aim of the restoration was to reverse the decay of centuries of attrition, pollution, destruction by acts of war, and misguided past restorations. The project included collection and identification of all stone fragments, even small ones, from the Acropolis and its slopes and the attempt was made to restore as much as possible using reassembled original material (Anastylosis) - with new marble from Mount Penteli used sparingly. All restoration was made using titanium dowels and is designed to be completely reversible, in case future experts decide to change things. A combination of cutting-edge modern technology and extensive research and reinvention of ancient techniques were used.
The Parthenon colonnades, largely destroyed by Venetian bombardment in the 17th century, were restored, with many wrongly assembled columns now properly placed. The roof and floor of the Propylaea were partly restored, with sections of the roof made of new marble and decorated with blue and gold inserts, as in the original. The temple of Athena Nike is the only edifice still unfinished, pending proper reassembly of its parts, all of which survive practically intact.
A total of 2,675 tons of architectural members were restored, with 686 stones reassembled from fragments of the originals, 905 patched with new marble, and 186 parts made entirely of new marble. A total of 530 cubic meters of new Pentelic marble were used.
Read more about this topic: Acropolis Of Athens
Famous quotes containing the words restoration and/or project:
“I claim that in losing the spinning wheel we lost our left lung. We are, therefore, suffering from galloping consumption. The restoration of the wheel arrests the progress of the fell disease.”
—Mohandas K. Gandhi (18691948)
“A candidate once called his opponent a willful, obstinate, unsavory, obnoxious, pusillanimous, pestilential, pernicious, and perversable liar without pausing for breath, and even his enemies removed their hats.”
—Federal Writers Project Of The Wor, U.S. public relief program (1935-1943)