History
The Electron was developed during 1983 as a cheap sibling for the BBC Micro with the intention of capturing the low-cost Christmas sales market for that year. Although Acorn were able to shrink substantially the same functionality as the BBC into just one chip, manufacturing problems meant that very few machines were available for the Christmas period — to the extent that some shops reported eight presales for every delivered machine.
This was a blow from which the machine never fully recovered, although games sales for it would ultimately outstrip those of the BBC Micro. Following Olivetti's 1985 cash injection into Acorn the machine was effectively sidelined.
With hindsight, the machine lacked the RAM (a typical program would need to fit in only around 20 kB once display memory is subtracted) and processing power to take on the prevailing Sinclair ZX Spectrum and Commodore 64. Despite this, several features that would later be associated with BBC Master and Archimedes were first features of Electron expansion units, including ROM cartridge slots and the Advanced Disc Filing System — a hierarchical improvement to the BBC's original Disc Filing System.
While it may not have been as popular as the Spectrum, Commodore 64 or Amstrad CPC, it did sell in sufficient numbers to ensure that new software was being produced right up until the early 1990s. This meant the Electron had a lifespan not much shorter than those more popular micros and much longer than competitors such as the Oric-1 and Dragon 32.
Read more about this topic: Acorn Electron
Famous quotes containing the word history:
“If you look at history you’ll find that no state has been so plagued by its rulers as when power has fallen into the hands of some dabbler in philosophy or literary addict.”
—Desiderius Erasmus (c. 1466–1536)
“America is the only nation in history which, miraculously, has gone directly from barbarism to degeneration without the usual interval of civilization.”
—Attributed to Georges Clemenceau (1841–1929)
“No one is ahead of his time, it is only that the particular variety of creating his time is the one that his contemporaries who are also creating their own time refuse to accept.... For a very long time everybody refuses and then almost without a pause almost everybody accepts. In the history of the refused in the arts and literature the rapidity of the change is always startling.”
—Gertrude Stein (1874–1946)