Music
Accelerated Evolution was written as "the polar opposite" of SYL. The album blended aspects of different genres, including alternative rock, hard rock, and progressive metal, with elements of "heaviness, ambience, humor, and experimentalism". The album has been described as more melodic and more rock-based than SYL or Physicist, yet "more song-oriented" than Terria, with influences by John Lennon, Jimi Hendrix, and Rush. Songs such as "Storm", "Suicide", and "Sunday Afternoon" were compared to Townsend's Infinity, but were noted as "less frantic and more mature". Townsend wrote the album to be "commercially viable", making his existing style more concise and accessible but without going so far as to write "pop songs". Townsend utilized clean vocals much more than in his previous albums, and produced and mixed the album in his trademark "wall of sound" style, blending "layers upon layers of guitars, keyboards, and vocals".
All tracks written by Devin Townsend, with additional arrangements by Brian Waddell, Ryan Van Poederooyen, Dave Young, and Mike Young.
Read more about this topic: Accelerated Evolution
Famous quotes containing the word music:
“On the first days, like a piece of music that one will later be mad about, but that one does not yet distinguish, that which I was to love so much in [Bergotte’s] style was not yet clear to me. I could not put down the novel that I was reading, but I thought that I was only interested in the subject, as in the first moments of love when one goes every day to see a woman at some gathering, or some pastime, by the amusements to which one believes to be attracted.”
—Marcel Proust (1871–1922)
“For the introduction of a new kind of music must be shunned as imperiling the whole state; since styles of music are never disturbed without affecting the most important political institutions.”
—Plato (c. 427–347 B.C.)
“In benevolent natures the impulse to pity is so sudden, that like instruments of music which obey the touch ... you would think the will was scarce concerned, and that the mind was altogether passive in the sympathy which her own goodness has excited. The truth is,—the soul is [so] ... wholly engrossed by the object of pity, that she does not ... take leisure to examine the principles upon which she acts.”
—Laurence Sterne (1713–1768)