History
When the first Academy Awards ceremony was held in 1929, no foreign language film was honored. During the early post-war era (1947–1955), eight foreign language films received Special or Honorary Awards. Academy leader and board member Jean Hersholt argued that "an international award, if properly and carefully administered, would promote a closer relationship between American film craftsmen and those of other countries." The first foreign language film honored with such an award was the Italian neorealist drama Shoe-Shine, whose citation read: "the high quality of this motion picture, brought to eloquent life in a country scarred by war, is proof to the world that the creative spirit can triumph over adversity." In the following years, similar awards were given to seven other films: one from Italy (The Bicycle Thief), two from France (Monsieur Vincent and Forbidden Games), three from Japan (Rashomon, Gate of Hell and Samurai, The Legend of Musashi), as well as a Franco-Italian co-production (The Walls of Malapaga). These awards, however, were handed out on a discretionary rather than a regular basis (no award was given at the 26th Academy Awards held in 1954), and were not competitive since there were no nominees but simply one winning film per year.
A separate category for non-English-language films was created in 1956. Known as the Best Foreign Language Film Award, it has been awarded annually since then. The first recipient was the Italian neorealist drama La Strada, which helped establish Federico Fellini as one of the most important European directors.
Read more about this topic: Academy Award For Best Foreign Language Film
Famous quotes containing the word history:
“Systematic philosophical and practical anti-intellectualism such as we are witnessing appears to be something truly novel in the history of human culture.”
—Johan Huizinga (18721945)
“Three million of such stones would be needed before the work was done. Three million stones of an average weight of 5,000 pounds, every stone cut precisely to fit into its destined place in the great pyramid. From the quarries they pulled the stones across the desert to the banks of the Nile. Never in the history of the world had so great a task been performed. Their faith gave them strength, and their joy gave them song.”
—William Faulkner (18971962)
“Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernisms high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.”
—Gilbert Adair, British author, critic. Sunday Times: Books (London, April 21, 1991)