Differences Between Novel and Film
The film was based on John Klempner's novel A Letter to Five Wives. Two wives were lost in the transition to the screen. At one point, the film was called A Letter to Four Wives. When submitting the adapted screenplay to 20th Century-Fox chief Darryl F. Zanuck, Joseph L. Mankiewicz mentioned that he found it too long and asked how Zanuck felt about shortening the movie. "Take out one of the wives," Zanuck replied. Originally, the movie would have featured Anne Baxter as Martha. Zanuck did not feel Baxter's segment was as strong as the other three, so it was cut.
All the major characters differ substantially between the novel and film, and the nature of the problems with their marriages also. In the novel, Lora May (not Lora Mae) is less a gold digger than a woman who has always been dominated by her wealthy husband; Rita is trying to succeed in a second marriage with a man she has never felt passionate about; and Deborah is a plain and quiet ex-spinster whose "catch" of a husband has been disappointed in her lack of success in society. As for the other two wives, Martha and her husband locked horns over child-rearing issues, while Geraldine was devoting excessive time and money to her singing career with few results.
The novel also gives no indication that any of the couples will work through their problems (the film, ambiguities notwithstanding, has a decidedly happy ending), and the identity of the errant husband is different (though not his rationale).
Read more about this topic: A Letter To Three Wives
Famous quotes containing the words differences between, differences and/or film:
“The extent to which a parent is able to see a childs world through that childs eyes depends very much on the parents ability to appreciate the differences between herself and her child and to respect those differences. Your own children need you to accept them for who they are, not who you would like them to be.”
—Lawrence Balter (20th century)
“No sooner had I glanced at this letter, than I concluded it to be that of which I was in search. To be sure, it was, to all appearance, radically different from the one of which the Prefect had read us so minute a description.... But, then, the radicalness of these differences ... these things ... were strongly corroborative of suspicion.”
—Edgar Allan Poe (18091849)
“The womans world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.”
—Jeanine Basinger (b. 1936)