Influence
British critic Leslie Halliwell states the film's influence as "... it led directly to all the kaleidoscopic swinging London spy thrillers and comedies of the later sixties..." In particular, the visuals and storyline are credited with inspiring The Monkees' television series. The "Can't Buy Me Love" segment borrowed stylistically from Richard Lester's earlier The Running Jumping & Standing Still Film and it is this segment, in particular using the innovative technique of cutting the images to the beat of the music, which has been cited as a precursor of modern music videos. Roger Ebert goes even further, crediting Lester for a more pervasive influence, even constructing "a new grammar": "he influenced many other films. Today when we watch TV and see quick cutting, hand-held cameras, interviews conducted on the run with moving targets, quickly intercut snatches of dialogue, music under documentary action and all the other trademarks of the modern style, we are looking at the children of A Hard Day's Night".
Read more about this topic: A Hard Day's Night (film)
Famous quotes containing the word influence:
“Power lasts ten years; influence not more than a hundred.”
—Korean proverb, quoted in Alan L. Mackay, The Harvest of a Quiet Eye (1977)
“The higher the state of civilization, the more completely do the actions of one member of the social body influence all the rest, and the less possible is it for any one man to do a wrong thing without interfering, more or less, with the freedom of all his fellow-citizens.”
—Thomas Henry Huxley (1825–95)
“To-day ... when material prosperity and well earned ease and luxury are assured facts from a national standpoint, woman’s work and woman’s influence are needed as never before; needed to bring a heart power into this money getting, dollar-worshipping civilization; needed to bring a moral force into the utilitarian motives and interests of the time; needed to stand for God and Home and Native Land versus gain and greed and grasping selfishness.”
—Anna Julia Cooper (1859–1964)