Context
In the middle 19th century, a nostalgic interest in pre-Cromwell Christmas traditions swept Victorian England following the publications of Davies Gilbert's Some Ancient Christmas Carols (1822), William B. Sandys's Selection of Christmas Carols, Ancient and Modern (1833), and Thomas K. Hervey's The Book of Christmas (1837). That interest was further stimulated by Prince Albert, Queen Victoria's German-born husband, who popularized the German Christmas tree in Britain after their marriage in 1841, the first Christmas card in 1843, and a revival in carol singing. Hervey's study of Christmas customs attributed their passing to regrettable social change and the urbanization of England.
Dickens' Carol was one of the greatest influences in rejuvenating the old Christmas traditions of England, but, while it brings to the reader images of light, joy, warmth and life, it also brings strong and unforgettable images of darkness, despair, coldness, sadness and death. Scrooge himself is the embodiment of winter, and, just as winter is followed by spring and the renewal of life, so too is Scrooge's cold, pinched heart restored to the innocent goodwill he had known in his childhood and youth.
Read more about this topic: A Christmas Carol
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