A Boy Named Sue - Inspiration

Inspiration

The core story of the song was inspired by humorist Jean Shepherd, a close friend of Shel Silverstein, who was often taunted as a child because of his feminine-sounding name.

The title might also have been inspired by the male attorney Sue K. Hicks of Madisonville, Tennessee, a friend of John Scopes who agreed to be a prosecutor in what was to become known as the Scopes Trial. Sue was named after his mother who died after giving birth to him.

In his autobiography, Cash wrote that he had just received the song and only read over it a couple of times. It was included in that concert to try it out—he did not know the words and on the filmed recording he can be seen regularly referring to a piece of paper. Cash was surprised at how well the song went over with the audience. The rough, spontaneous performance with sparse accompaniment was included in the Johnny Cash At San Quentin album, ultimately becoming one of Cash's biggest hits.

According to Shel Silverstein's biographer Mitch Myers, it was June Carter Cash who encouraged her husband to perform the song. Silverstein introduced it to them at what they called a "Guitar Pull," where musicians would pass a guitar around and play their songs.

Years later Silverstein wrote a follow-up named "The Father of a Boy Named Sue" in which he tells the old man's point of view of the story.

Read more about this topic:  A Boy Named Sue

Famous quotes containing the word inspiration:

    Free labor has the inspiration of hope; pure slavery has no hope.
    Abraham Lincoln (1809–1865)

    Shakespeare carries us to such a lofty strain of intelligent activity, as to suggest a wealth which beggars his own; and we then feel that the splendid works which he has created, and which in other hours we extol as a sort of self-existent poetry, take no stronger hold of real nature than the shadow of a passing traveller on the rock. The inspiration which uttered itself in Hamlet and Lear could utter things as good from day to day, for ever.
    Ralph Waldo Emerson (1803–1882)

    As one knows the poet by his fine music, so one can recognise the liar by his rich rhythmic utterance, and in neither case will the casual inspiration of the moment suffice. Here, as elsewhere, practice must precede perfection.
    Oscar Wilde (1854–1900)