Significance
B-side songs may be released on the same record as a single to provide extra "value for money." There are several types of material commonly released in this way, including a different version (e.g., instrumental, a cappella, live, acoustic, remixed version or in another language/text), or, in a concept record, a song that does not fit into the story line.
Additionally, it was common in the 1960s and 1970s for longer songs by soul, funk or R&B acts to be broken into two parts for single release. Examples of this include the Isley Brothers' "Shout" (Parts 1 and 2), and a number of records by James Brown, including "Papa's Got a Brand New Bag" (Parts 1 & 2) and "Say It Loud - I'm Black and I'm Proud (Parts 1 & 2). "Part 1" would be the chart hit, while "Part 2" would be a continuation of the same recording. A notable example of a non-R&B hit with two parts was the single release of Don McLean's "American Pie". With the advent of the 12" single in the late 1970s, the Part 1/Part 2 method of recording was largely abandoned.
Since both sides of a single received equal royalties, some composers deliberately arranged for their songs to be used as the B-sides of singles by popular artists. This became known as the "flipside racket."
On a few occasions, the B-side became the more popular song. This was usually because a DJ preferred the B-side to its A-side and played it instead. Examples include "I Will Survive" by Gloria Gaynor (originally the B-side of "Substitute"), "I'll Be Around" by The Spinners (originally the B-side of "How Could I Let You Get Away"), "Maggie May" by Rod Stewart (originally the B-side of "Reason to Believe"), and "Single Ladies (Put a Ring on It)" by Beyoncé (originally the B-side of "If I Were a Boy"). More rarely, both sides of the single would become hits, such as Queen's "We Are the Champions" and "We Will Rock You".
The song "How Soon Is Now?" by The Smiths started out as the extra track on the 12" of "William, It Was Really Nothing" but later gained a separate release as an A-side in its own right, as did Oasis's "Acquiesce," which originally appeared as a B-side to "Some Might Say" in 1995, but gained subsequent release in 2006 as part of an EP to promote their forthcoming compilation album, Stop the Clocks. Feeder in 2001 and 2005 had the B-sides "Just a Day" from "Seven Days in the Sun," and "Shatter" from "Tumble and Fall" released as A-sides after fan petitions and official website and fansite message board hype, and both charted at #12 and #11 in the UK. In 1986, the first single from XTC's record Skylarking, "Grass", was eclipsed in the United States by its B-side, "Dear God" – so much so that the record was almost immediately re-released with one song ("Mermaid Smiled") removed and "Dear God" put in its place, becoming one of the band's better-known "hits."
On some reissued singles the A- and B-sides are by completely different artists, or two songs from different albums that would not normally have been released together. These were sometimes made for the jukebox, as one record with two popular songs on it would make more money, or to promote an artist to the fans of another. For example, in 1981, Kraftwerk released their new single "Computer Love," with the B side of "The Model" from their previous album. After "The Model" found popularity, the single was re-released with the sides reversed, and "The Model" hit the UK No. 1 spot, three years after its album release.
Read more about this topic: A-side And B-side
Famous quotes containing the word significance:
“Of what significance the light of day, if it is not the reflection of an inward dawn?to what purpose is the veil of night withdrawn, if the morning reveals nothing to the soul? It is merely garish and glaring.”
—Henry David Thoreau (18171862)
“It is necessary not to be Christian to appreciate the beauty and significance of the life of Christ.”
—Henry David Thoreau (18171862)
“The hypothesis I wish to advance is that ... the language of morality is in ... grave disorder.... What we possess, if this is true, are the fragments of a conceptual scheme, parts of which now lack those contexts from which their significance derived. We possess indeed simulacra of morality, we continue to use many of the key expressions. But we havevery largely if not entirelylost our comprehension, both theoretical and practical, of morality.”
—Alasdair Chalmers MacIntyre (b. 1929)