Music
| 9: The Original Motion Soundtrack | ||||
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| Film score by Danny Elfman Deborah Lurie |
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| Released | September 9, 2009 (2009-09-09) | |||
| Label | Reprise | |||
| Danny Elfman Deborah Lurie chronology |
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While the surviving creations are celebrating, "Over the Rainbow" by Judy Garland plays on a 78rpm gramophone record.
"Welcome Home" by Coheed and Cambria plays in the trailer for the film, with minor censoring. The trailer also features an excerpt from "The Captain" by The Knife.
It released the soundtrack CD which was only available on iTunes before the movie was released. It includes the themes created by Danny Elfman, Deborah Lurie's score and "Welcome Home".
- Track listing
All music composed by Danny Elfman and Deborah Lurie with soundtrack, except "Welcome Home" (lyrics by Claudio Sanchez, music by Coheed and Cambria).
| No. | Title | Length | |
|---|---|---|---|
| 1. | "Introduction" | 1:42 | |
| 2. | "Finding Answers" | 1:48 | |
| 3. | "Sanctuary" | 2:12 | |
| 4. | "Winged Beast" | 4:28 | |
| 5. | "Reunion/Searching For Two" | 2:12 | |
| 6. | "The Machines" | 0:58 | |
| 7. | "Out There" | 2:42 | |
| 8. | "Twins" | 1:36 | |
| 9. | "Slaying the Beast" | 1:21 | |
| 10. | "Return of the Machines" | 2:47 | |
| 11. | "Burial" | 1:24 | |
| 12. | "Reawakening" | 3:10 | |
| 13. | "The Aftermath" | 1:41 | |
| 14. | "Confrontation" | 1:53 | |
| 15. | "The Seamstress" | 2:05 | |
| 16. | "Return to the Workshop" | 1:54 | |
| 17. | "The Purpose" | 5:20 | |
| 18. | "Release" | 4:00 | |
| 19. | "Welcome Home" (performed by Coheed and Cambria) | 6:15 |
Read more about this topic: 9 (2009 Film)
Famous quotes containing the word music:
“Hell is full of musical amateurs: music is the brandy of the damned.”
—George Bernard Shaw (1856–1950)
“The manner in which Americans “consume” music has a lot to do with leaving it on their coffee tables, or using it as wallpaper for their lifestyles, like the score of a movie—it’s consumed that way without any regard for how and why it’s made.”
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“Where should this music be? I’ th’ air, or th’ earth?
It sounds no more.”
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