Music
Gilman showcases mostly punk rock, specifically pop punk and hardcore punk acts, as well as heavy metal, grindcore, ska punk, and industrial music.
A 2004 history of the club, 924 Gilman: The Story So Far, was written and edited by Brian Edge, who collected memories and anecdotes from many of the seminal contributors to the club's day-to-day operations from 1986 through publication in 2004. The book is available through AK Press and also contains a full list of Gilman's shows from 1986 through early 2004.
Some bands, including AFI, Offspring, and Green Day, are no longer allowed to play at the venue due to major label contracts; many of the other bands are defunct. The venue still serves the East Bay and Northern California hardcore scene by bringing local, national, and international acts to the East Bay.
Green Day, however, performed a set after fellow punk band The Influents in 2001. The show was taped and put on DVD for sale on the Influents web store. Green Day was not officially booked; they went on stage without consulting Gilman staff. The Influents decided to cut their set short to let Green Day perform. Even though Pinhead Gunpowder includes Billie Joe Armstrong, the lead singer and guitar player of Green Day, they are still allowed to perform at 924 Gilman because the band has not signed with a major record label.
Operation Ivy recorded their 7" vinyl EP record '69 Newport at the venue.
Read more about this topic: 924 Gilman Street
Famous quotes containing the word music:
“Slow, slow, fresh fount, keep time with my salt tears;
Yet slower yet, oh faintly gentle springs:
List to the heavy part the music bears,
“Woe weeps out her division when she sings.”
Droop herbs and flowers;
Fall grief in showers;
“Our beauties are not ours”:
Oh, I could still,
Like melting snow upon some craggy hill,
Drop, drop, drop, drop,
Since nature’s pride is, now, a withered daffodil.”
—Ben Jonson (1572–1637)
“The great challenge which faces us is to assure that, in our society of big-ness, we do not strangle the voice of creativity, that the rules of the game do not come to overshadow its purpose, that the grand orchestration of society leaves ample room for the man who marches to the music of another drummer.”
—Hubert H. Humphrey (1911–1978)
“Westminster Abbey is nature crystallized into a conventional form by man, with his sorrows, his joys, his failures, and his seeking for the Great Spirit. It is a frozen requiem, with a nation’s prayer ever in dumb music ascending.”
—M. E. W. Sherwood (1826–1903)