Music
Gilman showcases mostly punk rock, specifically pop punk and hardcore punk acts, as well as heavy metal, grindcore, ska punk, and industrial music.
A 2004 history of the club, 924 Gilman: The Story So Far, was written and edited by Brian Edge, who collected memories and anecdotes from many of the seminal contributors to the club's day-to-day operations from 1986 through publication in 2004. The book is available through AK Press and also contains a full list of Gilman's shows from 1986 through early 2004.
Some bands, including AFI, Offspring, and Green Day, are no longer allowed to play at the venue due to major label contracts; many of the other bands are defunct. The venue still serves the East Bay and Northern California hardcore scene by bringing local, national, and international acts to the East Bay.
Green Day, however, performed a set after fellow punk band The Influents in 2001. The show was taped and put on DVD for sale on the Influents web store. Green Day was not officially booked; they went on stage without consulting Gilman staff. The Influents decided to cut their set short to let Green Day perform. Even though Pinhead Gunpowder includes Billie Joe Armstrong, the lead singer and guitar player of Green Day, they are still allowed to perform at 924 Gilman because the band has not signed with a major record label.
Operation Ivy recorded their 7" vinyl EP record '69 Newport at the venue.
Read more about this topic: 924 Gilman Street
Famous quotes containing the word music:
“It is from the blues that all that may be called American music derives its most distinctive character.”
—James Weldon Johnson (1871–1938)
“I defied the machinery to make me its slave. Its incessant discords could not drown the music of my thoughts if I would let them fly high enough.”
—Lucy Larcom (1824–1893)
“And in the next instant, immediately behind them, Victor saw his former wife.
At once he lowered his gaze, automatically tapping his cigarette to dislodge the ash that had not yet had time to form. From somewhere low down his heart rose like a fist to deliver an uppercut, drew back, struck again, then went into a fast disorderly throb, contradicting the music and drowning it.”
—Vladimir Nabokov (1899–1977)