Music
Gilman showcases mostly punk rock, specifically pop punk and hardcore punk acts, as well as heavy metal, grindcore, ska punk, and industrial music.
A 2004 history of the club, 924 Gilman: The Story So Far, was written and edited by Brian Edge, who collected memories and anecdotes from many of the seminal contributors to the club's day-to-day operations from 1986 through publication in 2004. The book is available through AK Press and also contains a full list of Gilman's shows from 1986 through early 2004.
Some bands, including AFI, Offspring, and Green Day, are no longer allowed to play at the venue due to major label contracts; many of the other bands are defunct. The venue still serves the East Bay and Northern California hardcore scene by bringing local, national, and international acts to the East Bay.
Green Day, however, performed a set after fellow punk band The Influents in 2001. The show was taped and put on DVD for sale on the Influents web store. Green Day was not officially booked; they went on stage without consulting Gilman staff. The Influents decided to cut their set short to let Green Day perform. Even though Pinhead Gunpowder includes Billie Joe Armstrong, the lead singer and guitar player of Green Day, they are still allowed to perform at 924 Gilman because the band has not signed with a major record label.
Operation Ivy recorded their 7" vinyl EP record '69 Newport at the venue.
Read more about this topic: 924 Gilman Street
Famous quotes containing the word music:
“If music in general is an imitation of history, opera in particular is an imitation of human willfulness; it is rooted in the fact that we not only have feelings but insist upon having them at whatever cost to ourselves.... The quality common to all the great operatic roles, e.g., Don Giovanni, Norma, Lucia, Tristan, Isolde, Brünnhilde, is that each of them is a passionate and willful state of being. In real life they would all be bores, even Don Giovanni.”
—W.H. (Wystan Hugh)
“In benevolent natures the impulse to pity is so sudden, that like instruments of music which obey the touch ... you would think the will was scarce concerned, and that the mind was altogether passive in the sympathy which her own goodness has excited. The truth is,—the soul is [so] ... wholly engrossed by the object of pity, that she does not ... take leisure to examine the principles upon which she acts.”
—Laurence Sterne (1713–1768)
“Nothing is capable of being well set to music that is not nonsense.”
—Joseph Addison (1672–1719)