Cultural Analysis of "911 Song"
While it may seem interesting that one of the main Japanese hip-hop groups has released a single about a terrorist attack in the United States, this attention to the United States, especially New York, should come as no surprise. Japanese hip hop draws incredible homage to the United States for its rap culture and its African-American culture. Youth in Japan have even been known to darken their faces, in a style known as burapan, to mimic the look and style of blacks in America. However, as the lyrics of the song show, Japanese hip hop heads are not simply going for the look of black youth, they have a message, and often a politically charged message, that falls into lockstep, (or rhythm) with black youth. King Giddra was not the only hip hop group to criticize the American government for the terrorist attacks: Wyclef Jean, the Gorillaz, and countless other groups have released songs in the wake of 911.
Read more about this topic: 911 (King Giddra Song)
Famous quotes containing the words cultural, analysis and/or song:
“The rumor of a great city goes out beyond its borders, to all the latitudes of the known earth. The city becomes an emblem in remote minds; apart from the tangible export of goods and men, it exerts its cultural instrumentality in a thousand phases.”
—In New York City, U.S. public relief program (1935-1943)
“Ask anyone committed to Marxist analysis how many angels on the head of a pin, and you will be asked in return to never mind the angels, tell me who controls the production of pins.”
—Joan Didion (b. 1934)
“The quarrel of the sparrows in the eaves,
The full round moon and the star-laden sky,
And the loud song of the ever-singing leaves,
Had hid away earth’s old and weary cry.”
—William Butler Yeats (1865–1939)