Reception
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic | |
| Blabbermouth.net | 8/10 |
| MusicOMH | favorable |
| PopMatters | 7/10 |
| Revolver | favorable |
| Rolling Stone | |
Critical reception of 9.0: Live was generally positive. Reviewing for Allmusic, Johnny Loftus commented that the fans' relationship with Slipknot is "what unifies the performances" on the live album. He said that throughout the band's history, they have never compromised, and they had become "metal stars the real way, through relentless touring, embracing fan support, and penning some truly brutal songs". Rolling Stone's reviewer Christian Hoard wrote that the music featured on the album resembled a "new-school Motörhead", with its "scary-clown rap-metal bullshit getting steamrolled by big riffs and speed-punk beats". However, he noted the songs sounded similar to their recorded performances; Hoard called it the "songs' samey-ness". Adrien Begrand of PopMatters called 9.0: Live a "very worthy live album", and complimented the band for gaining success the "old-fashioned way, building a strong reputation as an extremely potent live act". Begrand noted the band's relationship with their "extremely devoted fans" as a strong point, and that the band's fans are "arguably the most fervently loyal bunch since the early days of Metallica two decades ago". However, he complained that it was distracting to have the band perform in a variety of undisclosed locations, rather than the one set throughout. Tom Day of MusicOMH wrote that the song "Before I Forget" is a "true gem and grinds out with a level of devastation that will make you green with envy if you weren't at these shows", and that drummer Joey Jordison took "centre stage" throughout the performance. Blair Fischer of the Chicago Tribune gave the album "three volume levels", writing, "The most amazing feat is that nine genetic defectives can congeal for such synchronous brain-damaged fury." Billboard reviewer Christa Titus wrote that Slipknot was "relentless in its delivery" of their live performances, calling the album "an overwhelming frenzy of sound and fury". Titus predicted the album would chart highly.
Some critics commented that the album is not as appealing to audiences who are unfamiliar with the band. Saul Austerlitz from The Boston Globe wrote that the album was "intended to cater primarily to rabid fans", commenting that those who are not fans of Slipknot will probably "find the experience of listening to both discs of 9.0: Live roughly comparable to being hit in the head repeatedly with a two-by-four two hours of sludgy, indistinguishable songs, punctuated by profane outbursts about how the idiot media has ignored and abused them".
9.0: Live debuted at the 17th position on the Billboard 200 charts in the United States, selling 42,000 copies in its first week. The album also premiered in the top 50 in five other countries. On December 9, 2005, the Recording Industry Association of America certified 9.0: Live gold in the United States.
Read more about this topic: 9.0: Live
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