Other Work
Chalfant would later enjoy top 10 success at the dawn of the 1990s with one of the last successful bands of the AOR era, The Storm. After a hiatus from music in the mid-90s, he has remained active in solo and group projects, and has stepped in as temporary lead vocalist for Journey (1994) and The Alan Parsons Project (2003).
Tod Howarth enjoyed success with Kiss guitarist Ace Frehley's solo outing, along with stints in Ted Nugent's band, his own solo career, and as a longtime touring keyboardist for Cheap Trick. During Howarth's tenure, Frehley's Comet reworked the 707 song "Mega Force"; re-titled "Calling To You", this version (coincidentally released on Megaforce Records) features altered lyrics, with Jonathan Cain's writing credit removed and Frehley's added.
Kevin Russell fashioned a successful career as a record producer and guitar slinger for numerous acts, including Rick Derringer, Clarence Clemons, and Whitesnake.
After parting from 707, Jim McClarty worked in television and audio production before devoting himself to the ministry. He is currently a pastor near Nashville, Tennessee. In 2006 he returned to his 707 roots, mastering the band's album The Fourth Decade for Renaissance Records.
Duke McFadden died in 2006 from heart complications.
In 2000, 707 regrouped around guitarist Russell and recent independent-label releases have featured early demos, live tracks, and new material, as well as CD re-releases of their '80s albums.
Read more about this topic: 707 (band)
Famous quotes containing the word work:
“We must work earnestly in the best light He gives us.”
—Abraham Lincoln (1809–1865)
“... possibly there is no needful occupation which is wholly unbeautiful. The beauty of work depends upon the way we meet it—whether we arm ourselves each morning to attack it as an enemy that must be vanquished before night comes, or whether we open our eyes with the sunrise to welcome it as an approaching friend who will keep us delightful company all day, and who will make us feel, at evening, that the day was well worth its fatigues.”
—Lucy Larcom (1824–1893)