In Popular Culture
- Justin Townes Earle's "Working for the MTA" describes the 6 train from the perspective of the driver.
- In the novel The Taking of Pelham One Two Three and the films based on it, a 6 train that originated in Pelham Bay Park Station was hijacked, and hostages were held inside a subway car.
- After his first visit to NYC in 1969, Rubén Blades wrote the song "El número seis" about waiting for the 6 train. He never recorded it, but it was recorded in 1975 by Bobby Rodríguez y la Compañía in 1975, Los Soneros del Barrio in 1999, and Jimmy Sabater with Son Boricua in 2002.
- When she was growing up, Jennifer Lopez regularly rode a 6 train into Manhattan to go to her dance studio. Her debut 1999 album is called On the 6, a reference to the train.
- Mark Wahlberg rides the 6 (R29/36 cars) in the movie The Yards.
- On January 22, 2006, eight members of the Improv Everywhere comedy troupe were arrested on a 6 train after participating in a city-wide prank dubbed "No Pants". They have before and since performed several other pranks on the 6 train.
- In the 2000 movie, Boiler Room, the main character, Seth, mentions that the brokers at his firm act like they "just got off the 6 train to Fulton Street." The 6 train, however, does not stop at Fulton Street.
- A scene in Kids takes place on the 6 train, including shots of a legless panhandler on a skateboard.
- In the How I Met Your Mother episode Lucky Penny, Barney Stinson gets stuck on a 6 train when he becomes unable to move his legs.
Read more about this topic: 6 (New York City Subway Service)
Famous quotes containing the words popular and/or culture:
“Resorts advertised for waitresses, specifying that they “must appear in short clothes or no engagement.” Below a Gospel Guide column headed, “Where our Local Divines Will Hang Out Tomorrow,” was an account of spirited gun play at the Bon Ton. In Jeff Winney’s California Concert Hall, patrons “bucked the tiger” under the watchful eye of Kitty Crawhurst, popular “lady” gambler.”
—Administration in the State of Colo, U.S. public relief program (1935-1943)
“If mass communications blend together harmoniously, and often unnoticeably, art, politics, religion, and philosophy with commercials, they bring these realms of culture to their common denominator—the commodity form. The music of the soul is also the music of salesmanship. Exchange value, not truth value, counts.”
—Herbert Marcuse (1898–1979)