In Popular Culture
- Justin Townes Earle's "Working for the MTA" describes the 6 train from the perspective of the driver.
- In the novel The Taking of Pelham One Two Three and the films based on it, a 6 train that originated in Pelham Bay Park Station was hijacked, and hostages were held inside a subway car.
- After his first visit to NYC in 1969, Rubén Blades wrote the song "El número seis" about waiting for the 6 train. He never recorded it, but it was recorded in 1975 by Bobby Rodríguez y la Compañía in 1975, Los Soneros del Barrio in 1999, and Jimmy Sabater with Son Boricua in 2002.
- When she was growing up, Jennifer Lopez regularly rode a 6 train into Manhattan to go to her dance studio. Her debut 1999 album is called On the 6, a reference to the train.
- Mark Wahlberg rides the 6 (R29/36 cars) in the movie The Yards.
- On January 22, 2006, eight members of the Improv Everywhere comedy troupe were arrested on a 6 train after participating in a city-wide prank dubbed "No Pants". They have before and since performed several other pranks on the 6 train.
- In the 2000 movie, Boiler Room, the main character, Seth, mentions that the brokers at his firm act like they "just got off the 6 train to Fulton Street." The 6 train, however, does not stop at Fulton Street.
- A scene in Kids takes place on the 6 train, including shots of a legless panhandler on a skateboard.
- In the How I Met Your Mother episode Lucky Penny, Barney Stinson gets stuck on a 6 train when he becomes unable to move his legs.
Read more about this topic: 6 (New York City Subway Service)
Famous quotes containing the words popular and/or culture:
“An aesthetic movement with a revolutionary dynamism and no popular appeal should proceed quite otherwise than by public scandal, publicity stunt, noisy expulsion and excommunication.”
—Cyril Connolly (1903–1974)
“Culture is the suggestion, from certain best thoughts, that a man has a range of affinities through which he can modulate the violence of any master-tones that have a droning preponderance in his scale, and succor him against himself. Culture redresses this imbalance, puts him among equals and superiors, revives the delicious sense of sympathy, and warns him of the dangers of solitude and repulsion.”
—Ralph Waldo Emerson (1803–1882)