History
The complex was first established as the Phun Phactory in 1993 by Pat DiLillo under a program called Graffiti Terminators to discourage graffiti vandalism by encouraging artists to display their work in a formal showcase.
In 2002 Jonathan Cohen, a graffiti artist operating under the name "Meres" began curating the work. If he is not familiar with an artist, Cohen will ask for a sample of their work; if it is a mural, he will ask for a layout as well. The name 5Pointz signifies the five boroughs coming together as one but, because of its reputation as an epicenter of the graffiti scene, the industrial complex has actually united aerosol artists from across the world. Legendary writers from Canada, Switzerland, the Netherlands, Japan, Brazil, and all over the United States have painted on the building walls, including Stay High 149, Tracy 168, Cope2, Part, SPE, and Tats Cru.
Over the past decade, the striking, graffiti-covered warehouse has attracted several hip-hop and R&B stars, including Doug E. Fresh, Kurtis Blow, Grandmaster Kaz, Mobb Deep, Rahzel, DJ JS-1, Boot Camp Clik, Joan Jett, and Joss Stone. One of the first graffiti there was a portrait of Jam-Master Jay, an important member of the early hip hop musical style.
In April 2009 the New York City Buildings department ordered the largest building closed after citing it for numerous building deficiencies including the studio partitions were built without permits. The inspections followed an incident on April 10, 2009, in which an artist was injured when part of a concrete fire escape collapsed.
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Famous quotes containing the word history:
“We have need of history in its entirety, not to fall back into it, but to see if we can escape from it.”
—José Ortega Y Gasset (1883–1955)
“History, as an entirety, could only exist in the eyes of an observer outside it and outside the world. History only exists, in the final analysis, for God.”
—Albert Camus (1913–1960)
“When the landscape buckles and jerks around, when a dust column of debris rises from the collapse of a block of buildings on bodies that could have been your own, when the staves of history fall awry and the barrel of time bursts apart, some turn to prayer, some to poetry: words in the memory, a stained book carried close to the body, the notebook scribbled by hand—a center of gravity.”
—Adrienne Rich (b. 1929)