Production
All but two of the selections are original recordings. Many of the early Starday songs were rerecordings for Epic in the 1970s, and two were inserted (1967 & 1968) because Musicor/Gusto refused to allow the producers to use the originals. Jones originally recorded "Good Year for the Roses" in 1970, but a much later version with Alan Jackson is used here. The inclusion of his 1981 #1 single, "Still Doin' Time", among his mid-1960s hits is an embarrassing error given the CD's pride at presenting one hit from each year or one song from each year that George recorded. That 1981 song should have appeared on Disc 2 between "He Stopped Loving Her Today" and "Same Ole Me". Instead, on here, we have his 1982 #1 single with Merle Haggard representing the year 1981, "Yesterday's Wine". "Same Ole Me" was indeed a hit single in early 1982...but it was a hit before the duet material with Merle came along...so there are several songs that appear out of chronological order. The inclusion of a 1979 duet he recorded with Waylon Jennings, "Night Life", appears out of place as it wasn't even a single pushed at radio. The CD should have included "Someday My Day Will Come" instead to represent 1979. "Radio Lover" is another example...that song was recorded in 1983 on the album Jones Country but Epic Records released it as a single in 1989 but on here, they have it listed as a 1988 single. The big hit, if you call it that, in 1988 for George was a duet with newcomer Shelby Lynne, "If I Could Bottle This Up", that reached the Top-50 on Top Country Songs but that duet single isn't featured here.
Read more about this topic: 50 Years Of Hits
Famous quotes containing the word production:
“I really know nothing more criminal, more mean, and more ridiculous than lying. It is the production either of malice, cowardice, or vanity; and generally misses of its aim in every one of these views; for lies are always detected, sooner or later.”
—Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)
“It is part of the educator’s responsibility to see equally to two things: First, that the problem grows out of the conditions of the experience being had in the present, and that it is within the range of the capacity of students; and, secondly, that it is such that it arouses in the learner an active quest for information and for production of new ideas. The new facts and new ideas thus obtained become the ground for further experiences in which new problems are presented.”
—John Dewey (1859–1952)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)