4th Irish Film & Television Awards - Film

Film

Best Film

  • The Wind That Shakes the Barley (Winner)
    • Breakfast on Pluto
    • The Front Line
    • Middletown
    • Small Engine Repair

Best International Film

  • Little Miss Sunshine (Winner)
    • Babel
    • Casino Royale
    • The Departed
    • United 93

Best Director

  • Neil Jordan (Winner)
    • John Boorman
    • David Gleeson
    • Brian Kirk

Best Script

  • Neil Jordan & Pat McCabe for Breakfast on Pluto (Winner)
    • Daragh Carville for Middletown
    • David Gleeson for The Front Line
    • Niall Heery for Small Engine Repair

Best Cinematography

  • Seamus Deasy for The Tiger's Tail (Winner)
    • Seamus McGarvey for World Trade Center
    • Declan Quinn for Breakfast on Pluto
    • Robbie Ryan for Isolation

Best Music

  • Stephen McKeon for The Tiger's Tail (Winner)
    • Niall Byrne for Small Engine Repair
    • Patrick Cassidy for The Front Line
    • Glen Hansard for Once

Best Production Design

  • Mark Geraghty for Get Rich or Die Tryin' (Winner)
    • Tom Conroy for Breakfast on Pluto
    • Ashleigh Jeffers for Middletown
    • Mark Lowry for Small Engine Repair

Best Costume Design

  • Consolata Boyle for The Queen (Winner)
    • Joan Bergin for The Prestige
    • Eimer Ni Mhaldomhnaigh for Breakfast on Pluto
    • Maeve Patterson for The Tiger's Tail

Best Hair & Makeup

  • Lorraine Glynn, Lynn Johnson for Breakfast on Pluto (Winner)
    • Martina McCarthy, Denise Watson for The Tiger's Tail
    • Morna Ferguson, Lorraine Glynn for Middletown

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Famous quotes containing the word film:

    “His education lay like a film of white oil on the black lake of his barbarian consciousness. For this reason, the things he said were hardly interesting at all. Only what he was.”
    —D.H. (David Herbert)

    “The motion picture is like a picture of a lady in a half- piece bathing suit. If she wore a few more clothes, you might be intrigued. If she wore no clothes at all, you might be shocked. But the way it is, you are occupied with noticing that her knees are too bony and that her toenails are too large. The modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution from the audience but a mouthful of popcorn.”
    —Raymond Chandler (1888–1959)

    “Perhaps our eyes are merely a blank film which is taken from us after our deaths to be developed elsewhere and screened as our life story in some infernal cinema or despatched as microfilm into the sidereal void.”
    —Jean Baudrillard (b. 1929)