Plot
Actress Saritha comes to a small town to talk to Vaishali (Jayapradha), because she is about to play her in a film based on her life. Vaishali suffers from hysteria and angrily shuts out Saritha. The story is now told in flashback, when Vaishali's brother reveals to Saritha about her marriage to Kumar (Chiranjeevi), consisting of only 47 days, hence the title of the film. Kumar takes Vaishali to a country manor in France. She does not know French or English. Kumar already has a French first wife Lucy (Anne Patricia) living there on the top floor. He deceives both wives. He tells Vaishali that Lucy is a friend, while he tells Lucy that Vaishali is his sister. Eventually, Vaishali figures out his bigamy and does not want to stay with him as his second wife. She does not know of anyone who knows her language and who can help her escape Kumar.
Kumar tortures and threatens her to make her act as his mentally deranged sister. He treats her in a very sadistic manner. A desi pickpocket (Ramaprabha) sees Kumar abusing Vaishali and tells her about an Indian doctor named Shanker (Sarath Babu) who can help her. In the mean time, Vaishali becomes pregnant, and Kumar is afraid that Lucy will discover his deception, so he tries to force Vaishali to have an unsafe abortion. Dr. Shanker rescues her and also tells Lucy everything about Kumar's bigamy. Lucy ends her marriage. Dr. Shanker brings Vaishali back to India, who moves back in with her brother and mother. No mention is made as to what happened to her pregnancy and no baby is seen or heard. It is presumed that she may have later had an abortion, since she did not want to be connected to her ex-husband Kumar. When Saritha asks why Vaishali didn't re-marry, such as to her rescuer Dr. Shanker, Vaishali angrily replies that a woman does not always have to be married. However, she placates Saritha by saying that she wouldn't mind if her character is shown off as remarried in the film.
Read more about this topic: 47 Rojulu
Famous quotes containing the word plot:
“After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.”
—Mary Kay Blakely (20th century)
“The plot! The plot! What kind of plot could a poet possibly provide that is not surpassed by the thinking, feeling reader? Form alone is divine.”
—Franz Grillparzer (1791–1872)
“But, when to Sin our byast Nature leans,
The careful Devil is still at hand with means;
And providently Pimps for ill desires:
The Good Old Cause, reviv’d, a Plot requires,
Plots, true or false, are necessary things,
To raise up Common-wealths and ruine Kings.”
—John Dryden (1631–1700)