Literary Significance and Reception
Philip John Stead's review in The Times Literary Supplement of 29 November 1957, concluded, "Miss Christie never harrows her readers, being content to intrigue and amuse them."
The novel was reviewed in The Times edition of 5 December 1957 when it stated, "Mrs Christie's latest is a model detective story; one keeps turning back to verify clues, and not one is irrelevant or unfair." The review concluded, "Perhaps there is a corpse or two too many, but there is never a dull moment."
Fellow crime writer Anthony Berkeley Cox, writing under the nom de plume of Francis Iles, reviewed the novel in the 6 December 1957 issue of The Guardian, in which he confessed to being disappointed with the work: "I have only pity for those poor souls who cannot enjoy the sprightly stories of Agatha Christie; but though sprightliness is not the least of this remarkable writer's qualities, there is another that we look for in her, and that is detection: genuine, steady, logical detection, taking us step by step nearer to the heart of the mystery. Unfortunately it is that quality that is missing in 4.50 from Paddington. The police never seem to find out a single thing, and even Miss Marples (sic) lies low and say nuffin' to the point until the final dramatic exposure. There is the usual small gallery of interesting and perfectly credible characters and nothing could be easier to read. But please, Mrs Christie, a little more of that incomparable detection next time."
Robert Barnard: "Another locomotive one — murder seen as two trains pass each other in the same direction. Later settles down into a good old family murder. Contains one of Christie's few sympathetic women. Miss Marple apparently solves the crime by divine guidance, for there is very little in the way of clues or logical deduction."
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