| Best Picture |
Best Director |
- In the Heat of the Night
- Bonnie and Clyde
- Doctor Dolittle
- The Graduate
- Guess Who's Coming to Dinner
|
- Mike Nichols – The Graduate
- Richard Brooks – In Cold Blood
- Norman Jewison – In the Heat of the Night
- Stanley Kramer – Guess Who's Coming to Dinner
- Arthur Penn – Bonnie and Clyde
|
| Best Actor |
Best Actress |
- Rod Steiger – In the Heat of the Night
- Warren Beatty – Bonnie and Clyde
- Dustin Hoffman – The Graduate
- Paul Newman – Cool Hand Luke
- Spencer Tracy – Guess Who's Coming to Dinner
|
- Katharine Hepburn – Guess Who's Coming to Dinner
- Anne Bancroft in The Graduate
- Faye Dunaway in Bonnie and Clyde
- Edith Evans in The Whisperers
- Audrey Hepburn in Wait Until Dark
|
| Best Supporting Actor |
Best Supporting Actress |
- George Kennedy in Cool Hand Luke
- John Cassavetes in The Dirty Dozen
- Gene Hackman in Bonnie and Clyde
- Cecil Kellaway in Guess Who's Coming to Dinner
- Michael J. Pollard in Bonnie and Clyde
|
- Estelle Parsons in Bonnie and Clyde
- Carol Channing in Thoroughly Modern Millie
- Mildred Natwick in Barefoot in the Park
- Beah Richards in Guess Who's Coming to Dinner
- Katharine Ross in The Graduate
|
| Best Original Screenplay |
Best Adapted Screenplay |
- William Rose for Guess Who's Coming to Dinner
- David Newman and Robert Benton for Bonnie and Clyde
- Robert Kaufman and Norman Lear for Divorce American Style
- Jorge Semprun for The War Is Over
- Frederic Raphael for Two for the Road
|
- Stirling Silliphant for In the Heat of the Night
- Donn Pearce and Frank Pierson for Cool Hand Luke
- Buck Henry and Calder Willingham for The Graduate
- Richard Brooks for In Cold Blood
- Joseph Strick and Fred Haines for Ulysses
|
| Best Foreign Language Film |
- Closely Watched Trains — Czechoslovakia
- El amor brujo — Spain
- I Even Met Happy Gypsies — Yugoslavia
- Live for Life — France
- Portrait of Chieko — Japan
|
| Best Documentary Feature |
Best Documentary Short |
- The Anderson Platoon
- Festival
- Harvest
- A King's Story
- A Time for Burning
|
- The Redwoods
- Monument to the Dream
- A Place to Stand
- See You at the Pillar
- While I Run This Race
|
| Best Live Action Short |
Best Animated Short |
- A Place to Stand – Christopher Chapman – An Expo 67 movie at the Ontario Pavilion.
- Paddle to the Sea – National Film Board of Canada - Julian Biggs
- Sky over Holland – John Ferno
- Stop, Look and Listen – Metro-Goldwyn-Mayer – Len Janson and Chuck Menville
|
- The Box
- Hypothese Beta
- What on Earth!
|
| Best Original Score |
Best Original Song Score or Adaptation Score |
- Elmer Bernstein for Thoroughly Modern Millie
- Lalo Schifrin for Cool Hand Luke
- Leslie Bricusse for Doctor Dolittle
- Richard Rodney Bennett for Far from the Madding Crowd
- Quincy Jones for In Cold Blood
|
- Alfred Newman and Ken Darby for Camelot
- Lionel Newman and Alexander Courage for Doctor Dolittle
- Frank De Vol for Guess Who's Coming to Dinner
- Andre Previn and Joseph Gershenson for Thoroughly Modern Millie
- John Williams for Valley of the Dolls
|
| Best Original Song |
Best Costume Design |
- "Talk to the Animals" from Doctor Dolittle — Leslie Bricusse (music and lyrics)
- "The Bare Necessities" from The Jungle Book — Terry Gilkyson (music and lyrics)
- "The Eyes of Love" from Banning — Quincy Jones (music) and Bob Russell (lyrics)
- "The Look of Love" from Casino Royale — Burt Bacharach (music) and Hal David (lyrics)
- "Thoroughly Modern Millie" from Thoroughly Modern Millie — Jimmy Van Heusen (music) and Sammy Cahn (lyrics)
|
- 'Camelot' – John Truscott
- Bonnie and Clyde - Theadora Van Runkle
- The Happiest Millionaire - Bill Thomas
- The Taming of the Shrew - Danilo Donati and Irene Sharaff
- Thoroughly Modern Millie - Jean Louis
|
| Best Art Direction |
Best Cinematography |
- John Truscott, Edward Carrere, John W. Brown - Camelot
- Mario Chiari, Jack Martin Smith, Ed Graves, Walter M. Scott, Stuart A. Reiss - Doctor Dolittle
- Robert Clatworthy, Frank Tuttle - Guess Who's Coming to Dinner
- Renzo Mongiardino, John DeCuir, Elven Webb, Giuseppe Mariani, Dario Simoni, Luigi Gervasi - The Taming of the Shrew
- Alexander Golitzen, George C. Webb, Howard Bristol – Thoroughly Modern Millie
|
- Burnett Guffey – Bonnie and Clyde
- Richard H. Kline – Camelot
- Robert Surtees – Doctor Dolittle
- Robert Surtees – The Graduate
- Conrad Hall – In Cold Blood
|
| Best Sound Mixing |
Best Sound Effects |
- In the Heat of the Night – Samuel Goldwyn Studio Sound Department
- Camelot – Warner Bros.-Seven Arts Studio Sound Department
- The Dirty Dozen – Metro-Goldwyn-Mayer Studio Sound Department
- Doctor Dolittle – 20th Century-Fox Studio Sound Department
- Thoroughly Modern Millie – Universal City Studio Sound Department
|
- The Dirty Dozen – John Poyner
- In the Heat of the Night – James Richard
|
| Best Film Editing |
Best Visual Effects |
- In the Heat of the Night – Hal Ashby
- Beach Red – Frank P. Keller
- The Dirty Dozen – Michael Luciano
- Doctor Dolittle – Samuel E. Beetly, Marjorie Fowler
- Guess Who's Coming to Dinner – Robert C. Jones
|
- Doctor Dolittle – L.B. Abbott
- Tobruk – Howard A. Johnson, Jr. and Albert Whitlock
|