The 40 Watt Club is a music venue in Athens, Georgia. Along with CBGB's, the Whisky a Go Go, and selected others, it was instrumental in launching American punk rock and "New Wave music."
The 40 Watt Club had its origins as Curtis Crowe's College Avenue loft back in 1978. Bill Tabor and Curtis joked that it was a 40 Watt Club due to the single 40 Watt bulb which hung from the ceiling. Curtis first party in his space featured his band Strictly American a group of friends from Marietta, Georgia which included members of the future Guadalcanal Diary. Curtis and Bill would hang out in his loft upstairs and listen to Michael Lachowski and Randy Bewley practice the same riff over and over again in the space directly below. Curtis eventually knocked on their practice space and asked if they could use a drummer and Pylon was born. During Pylon's subsequent tours of the Northeast, Curtis theorized that opening a real club on a shoestring was possible. Crowe and his partner Paul Scales then moved the "club" across the street to a space above a sandwich shop at the corner of College and Broad Streets. It opened with Curtis still making last minute additions to the bar and stage. The Side Effects played that first night and Pylon on the second. It was an instant smash with the local youth of Athens. The floors had to be reinforced with removable beams due to the intense dancing that took place. Later, with new partner Steve Allen, Scales migrated the club to a larger space on West Clayton Street. Amenities such as a stage and hot water were added, as was a second bathroom. True to the 40 Watt method it was assembled with found materials (including toilet and sink) and volunteer labor.
Doug Hoechst bought the club from Allen and Scales and moved it to 382 E. Broad Street and renamed it "40 Watt Club Uptown". The 40 Watt Uptown was large and professional, and it was a major stop for underground independent music acts in the 1980s. When rents increased on the space, the club moved back to its West Clayton Street location ("the new old new 40 Watt"). At the same time, the formerly small, spare competing club, The Uptown Lounge, expanded to a much larger space (the Georgia Theater). Therefore, with Uptown Lounge taking over as the high-capacity venue there was again a market for a small club that would focus on local acts. The Club later moved to its current location on Washington Street, the former Potter's House Thrift store building. The 40 Watt Club is currently owned and operated by Barrie Buck, the former wife of R.E.M. guitarist Peter Buck, who has managed the club since 1987.
The 40 Watt Club was the primary performance space for numerous "Athens bands", including Pylon, R.E.M., Love Tractor, Drivin N Cryin, Guadalcanal Diary, The Primates, Indigo Girls, Modern Skirts, and others. Its DIY ethos and informality were instrumental in the fostering of punk rock and a "scene" in Athens, GA. In more recent years, the club has been the home-base for such nationally renowned local bands as of Montreal, Drive-By Truckers, and The Whigs.
Famous quotes containing the words watt and/or club:
“Herein is the explanation of the analogies, which exist in all the arts. They are the re-appearance of one mind, working in many materials to many temporary ends. Raphael paints wisdom, Handel sings it, Phidias carves it, Shakspeare writes it, Wren builds it, Columbus sails it, Luther preaches it, Washington arms it, Watt mechanizes it. Painting was called “silent poetry,” and poetry “speaking painting.” The laws of each art are convertible into the laws of every other.”
—Ralph Waldo Emerson (1803–1882)
“The barriers of conventionality have been raised so high, and so strangely cemented by long existence, that the only hope of overthrowing them exists in the union of numbers linked together by common opinion and effort ... the united watchword of thousands would strike at the foundation of the false system and annihilate it.”
—Mme. Ellen Louise Demorest 1824–1898, U.S. women’s magazine editor and woman’s club movement pioneer. Demorest’s Illustrated Monthly and Mirror of Fashions, p. 203 (January 1870)