Background Information
During and after the release of FanMail, Lopes made it known to the press on multiple occasions that she felt that she was unable to fully express herself working with TLC and Austin. Her contributions to the songs had been reduced to periodic eight-bar raps, and studio session singers such as Debra Killings often took her place on the background vocals for the group's songs. In its November 28, 1999 issue, Entertainment Weekly ran a letter from Lopes that challenged her group mates to record solo albums and let the fans judge which of the three was the most talented:
"I challenge Tionne 'Player' Watkins (T-boz) and Rozonda 'Hater' Thomas (Chilli) to an album entitled The Challenge... a 3-CD set that contains three solo albums. Each (album)... will be due to the record label by October 1, 2000... I also challenge producer Dallas 'The Manipulator' Austin to produce all of the material and do it at a fraction of his normal rate. As I think about it, I'm sure LaFace would not mind throwing in a $1.5 million dollar prize for the winner."
T-Boz and Chilli declined to take up the "Challenge," though Lopes always maintained it was a great idea. Things were heated between the ladies for some time, with Thomas speaking out against Lopes, calling her antics "selfish", "evil", and "heartless." TLC then addressed these fights by saying that they are very much like sisters that have their disagreements every now and then as Lisa stated, "It's deeper than a working relationship. We have feelings for each other, which is why we get so mad at each other. I usually say that you cannot hate someone unless you love them. So, we love each other. That's the problem." After the conclusion of the successful FanMail tour, the ladies, however, took some time off and pursued personal interests. Lopes was the first to begin recording her solo album, Supernova, however it underperformed overseas and was never officially released in the United States.
During this time period, it was stated by Thomas she had begun working on a solo project and had realized that rumors of TLC's demise had taken over in the media. It was then that Thomas made a call to LaFace label-head L.A. Reid to discuss working on TLC's fourth studio album. After contacting Watkins, and soon after, Lopes, sessions for what would become 3D had begun. However, soon after recording had begun, sessions came to a halt, as Watkins was hospitalized in January 2002 due to complications stemming from her ongoing battle with sickle-cell anemia. In April 2002, as Watkins' condition improved greatly, Lopes disappeared to Honduras to do missionary work and begin work on her second studio album. Watkins and Thomas began plotting their next moves as a duo.
On April 25, 2002, Lopes was killed in a car crash leaving behind material that she had recorded for her own solo album and for TLC's fourth studio album. She was 30.
Returning from yet another hiatus after Lopes' death, Watkins, Thomas and Austin decided that they would complete the remainder of their fourth album, to be called 3D, which also featured production from Rodney Jerkins, The Neptunes, Raphael Saadiq, Missy Elliott and Timbaland. The decision was also made that TLC would retire after the release and promotion of 3D, rather than replace Lopes and continue. A decision that would later change as TLC announced in 2009, that they would possibly begin recording for a 5th studio album, but still refusing to replace Lopes.
Read more about this topic: 3D (TLC Album)
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