Style
The band themselves describe their music as "dark yet uplifting, spiritual without any connection to religion". Their music is punctuated by dark, sometimes incomprehensible lyrics, often rather detached from the accompanying music. Joey Eppard is considered a highly competent guitarist with a unique, primarily self-taught flamenco/slap hybrid guitar technique.
Over the course of 3's discography, the band has covered a wide variety of music genres. This spectrum of style includes the following songs as examples of each genre: hip hop (Don't Even), R&B (You Call Me Baby), rockabilly (Paint by Number), blues (Bedroom in Hell), reggae (Brother), funk (Get 2Gether), psychedelic (Signs of Life), metal (These Iron Bones), pop rock (Live Entertainment), acoustic rock (Careless Kim), punk (Sawed Off Shotgun), progressive (Monster), flamenco (Bramfatura), experimental progressive (Dregs), rock 'n roll (One Way Town), soft rock (Lay Down the Law), pop (Soul Reality), folk (The Game), experimental (Broadway Alien), progressive funk (Leaving on the Light), and progressive metal (Only Child). The genre-defying diversity of their music is what gives them the self-proclaimed title of a hybrid band, though the band is currently in a state consisting primarily of progressive metal on their newest album The Ghost You Gave To Me. However, though the album does focus heavily on progressive metal, there remain many influences from other genres within the music, including some country vibes in the musicality of "The Barrier".
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Famous quotes containing the word style:
“The authoritarian child-rearing style so often found in working-class families stems in part from the fact that parents see around them so many young people whose lives are touched by the pain and delinquency that so often accompanies a life of poverty. Therefore, these parents live in fear for their children’s future—fear that they’ll lose control, that the children will wind up on the streets or, worse yet, in jail.”
—Lillian Breslow Rubin (20th century)
“A cultivated style would be like a mask. Everybody knows it’s a mask, and sooner or later you must show yourself—or at least, you show yourself as someone who could not afford to show himself, and so created something to hide behind.... You do not create a style. You work, and develop yourself; your style is an emanation from your own being.”
—Katherine Anne Porter (1890–1980)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)