The Ceremony
For the first time in Tony history, awards were not presented for lead actor and actress in a musical and choreography. As Ken Mandelbaum noted: "1985: Things get bad enough musically to require the elimination of the Best Musical Actor and Actress categories, as well as the choreography prize." The Associated Press wrote: "For the first time in the Tony's 39-year history, awards in three categories _ best actor and actress in a musical and best choreography _ were scrapped because of a lack of candidates." In a further report, the Associated Press noted: "The award for best actress, musical was eliminated this season because there was only one eligible candidate. The nominating committee declined to give nominations in the leading actor in a musical and choreography categories because they did not consider any of the performances or choreography outstanding or excellent."
Musicals represented:
- Big River ("Muddy Water"/" River in the Rain"- Daniel Jenkins, Ron Richardson and Company)
- Grind ("This Must Be the Place" - Ben Vereen and Company)
- Leader of the Pack (Medley - Company)
Presenters and Performers: Danny Aiello, Susan Anton, Hinton Battle, Deborah Bauers, Deborah Burrell, Terry Burrell, Jim Dale, Loretta Devine, Jackie Gleason, Julie Harris, Rex Harrison, George Hearn, Van Johnson, Raul Julia, Rosetta LeNoire, Mary Martin, Millicent Martin, Maureen McGovern, Rita Moreno, Mike Nichols, Stefanie Powers, Juliet Prowse, Tony Randall, Lee Roy Reams, Lynn Redgrave, Chita Rivera, Wanda Richert, Tony Roberts, Rex Smith, Leslie Uggams, Dick Van Dyke, Ben Vereen, Tom Wopat.
Read more about this topic: 39th Tony Awards
Famous quotes containing the word ceremony:
“No ceremony that to great ones ‘longs,
Not the king’s crown, nor the deputed sword,
The marshal’s truncheon, nor the judge’s robe,
Become them with one half so good a grace
As mercy does.”
—William Shakespeare (1564–1616)
“That popular fable of the sot who was picked up dead-drunk in the street, carried to the duke’s house, washed and dressed and laid in the duke’s bed, and, on his waking, treated with all obsequious ceremony like the duke, and assured that he had been insane, owes its popularity to the fact that it symbolizes so well the state of man, who is in the world a sort of sot, but now and then wakes up, exercises his reason and finds himself a true prince.”
—Ralph Waldo Emerson (1803–1882)