Film
Outstanding Motion Picture
- Coach Carter
- Crash
- Hitch
- Hustle & Flow
- Diary of a Mad Black Woman
Outstanding Actor in a Motion Picture
- Laurence Fishburne - Assault on Precinct 13
- Samuel L. Jackson - Coach Carter
- Shemar Moore - Diary of a Mad Black Woman
- Terrence Howard - Hustle & Flow
- Will Smith - Hitch
Outstanding Actress in a Motion Picture
- Kimberly Elise - Diary of a Mad Black Woman
- Queen Latifah - Beauty Shop
- Rosario Dawson - Rent
- Ziyi Zhang - Memoirs of a Geisha
- Zoe Saldana - Guess Who
Outstanding Supporting Actor in a Motion Picture
- Anthony Anderson - Hustle & Flow
- Chris "Ludacris" Bridges - Crash
- Don Cheadle - Crash
- Larenz Tate - Crash
- Terrence Howard - Crash
Outstanding Supporting Actress in a Motion Picture
- Ashanti - Coach Carter
- Cicely Tyson - Diary of a Mad Black Woman
- Elise Neal - Hustle & Flow
- Taraji P. Henson - Hustle & Flow
- Thandie Newton - Crash
Outstanding Independent or Foreign Film
- The Boys of Baraka
- Cape of Good Hope
- The Constant Gardener
- Mad Hot Ballroom
- Syriana
Outstanding Directing in a Feature Film/Television Movie
- George C. Wolfe – Lackawanna Blues
- John Singleton – Four Brothers
- Malcolm Lee – Roll Bounce
- Thomas Carter – Coach Carter
- Tim Story – Fantastic Four
Read more about this topic: 37th NAACP Image Awards
Famous quotes containing the word film:
“This film is apparently meaningless, but if it has any meaning it is doubtless objectionable.”
—British Board Of Film Censors. Quoted in Halliwell’s Filmgoer’s Companion (1984)
“The woman’s world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.”
—Jeanine Basinger (b. 1936)
“Perhaps our eyes are merely a blank film which is taken from us after our deaths to be developed elsewhere and screened as our life story in some infernal cinema or despatched as microfilm into the sidereal void.”
—Jean Baudrillard (b. 1929)